 APRIL 23 • 2020 | 31

commissioned by the Flint 
Institute of Arts.
“I was intrigued by the 
structure of the abandoned 
gas installation just outside 
of Seattle,
” said Hurwitz, 
Boston University professor 
emeritus. “I’
m interested in 
the way forms and structures 
go together. It’
s like looking at 
sculpture.
”
Hurwitz, whose prints have 
been collected and displayed 
internationally from New 
York to London, holds rec-
ognition through a Fulbright 
Fellowship, Louis Comfort 
Tiffany Award and National 
Institute of Arts and Letters 
Prize.
Hugh Kepets also displays 
an interest in architectural 
images, but his concentra-
tion stays fixed on details. In 
his work “
Astor,
” a 32-color 
screenprint, he has abstracted 

a segment of a cathedral in 
New York.
“
All my work is Jewish 
because I am Jewish,
” said 
Kepets.
Kepets became interested 
in his environment simply 
by looking out windows. He 
started with the natural envi-
ronment before moving into 
the built environment, using 
highlighting and shadow 
effects to create feelings of 3D 
space.
His work is included in 
MoMA, Cleveland Museum 
of Art and major corporate 
collections.
“In the last dozen years, 
I have been working on the 
computer to make prints,
” he 
said. “I am living out my fanta-
sy. Art is the only thing I ever 
wanted to do. I wanted to live 
in New York and make a living 
as an artist.
” .

Glimpse: Fine Print Selections from Stewart & Stewart 1980-
2020 can be viewed at the Birmingham Bloomfield Art Center 
in Birmingham by appointment only; call (248) 644-0866. 

Jonathan Santlofer, “Beyond the 
Forest,” 13-color screenprint, ed: 51

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