arts&life film BlacKkKlansman Spike Lee’s new fi lm is required viewing about anti- Semitism today. EMILY BURACK JTA ABOVE: Adam Driver and John David Washington in BlacKkKlansman. 48 August 23 • 2018 jn A bout halfway through Spike Lee’s new film BlacKkKlansman, I pulled out my phone to write a line down. Adam Driver’s character, a Jewish cop named Flip Zimmerman, says “I never thought much about it” — “it” being his Jewishness — “now I’m thinking about it all the time.” I couldn’t get that line out of my mind. As a white Jewish person, Flip’s journey to self-awareness in the face of overwhelming anti-Semitism resonates deeply for many Jewish Americans in 2018. The parallels to our current era is something Spike Lee is conscious of, and referential to, throughout the film. Minor spoilers ahead. Let’s back up for a second: BlacKkKlansman, which opened Aug. 10 in Metro Detroit, is the tale of Ron, a black cop (played by Denzel Washington’s son, John David Washington) who goes undercover to infiltrate the Ku Klux Klan, calling their hotline using his “white voice,” and eventually getting to speak to David Duke himself. When he’s invited to Klan meetings, he obviously can’t just show up. So, a white cop, Flip (Adam Driver), who happens to be Jewish, becomes his body. The pairing of a black cop and a Jewish cop infiltrating the Klan seems like the set up for a dark buddy comedy. And while there were many laugh-out- loud moments, the film addressed its subjects with nuance and care. After Flip attends a Klan meeting and returns to the police office for a debriefing, he tells Ron, “For you it’s a crusade, for me, it’s a job.” Yet, Ron tries to shake Flip into realizing that thwarting the Klan’s plan is also in his own best interest. “You have skin in the game, too!” he shouts at him. Flip, however, refuses to accept his “skin in the game.” For so long, he had identified as white, ignored his Jewish identity, and went through life completely fine. Until he is confronted with the Klan — who deeply, deeply hate Jews and deny the Holocaust happened — he refuses to accept his Judaism. Yet, after Flip is repeatedly threatened by an overeager Klan member who keeps calling him a Jew (suspecting he is Jewish because he kind of looks like a Jew) and threatens him to take a “Jew lie detector test,” it finally hits home for Flip that he will never be white. Flip’s journey to Jewish self-acceptance in BlacKkKlansman is a powerful one. This is not to say BlacKkKlansman