jews d in the KENN DUNCAN continued from page 13 “I became successful because of a high- quality, low-cost gymnastics program.” — WENDY HILLIARD Wendy Hilliard in motion Coach Zina Mironov with her Detroit Metro Gymnastics team, including Wendy Hilliard (top row, far right) Coaches Zina and Alex Mironov of Detroit Parks and Recreation, to hire the Mironovs. They became co-directors of the Detroit gymnastics program and Detroit employees. The position gave them a steady income and their students affordable classes. “It was open to those most interested in learning the sport,” Wendy says. Zina took the kids who really wanted to work hard; her choices were not dependent on a parent’s income. Five years later, Zina’s unique and diverse team, including Oak Park’s Jodee Abel and Marsha Freeman, became one of the top two rhythmic gymnastics teams in the United States. “Our program became the most successful recreation rhythmic gymnastics program in the country,” Wendy says. “We’d practice between the Oak Park JCC and Detroit Rec Centers like Tindal, Crowell and the Northwest Activities Center.” How did this group of girls become so extraordinary? “We drank the Kool-Aid,” Wendy says, her warm smile lighting up the room. “This was not a laid-back team. Zina was very ambitious and competi- tive and didn’t waste time,” she adds. “And, though parents com- plained of a language barrier, the students all understood Zina’s vision and where she wanted us to go.” But the girls learned much more than discipline and gym- nastics. Zina introduced her team to art, to famous dancers like Isadora Duncan and to clas- sical music. “We had an amazing educa- tion,” Wendy says, recalling the Russian routines they did. “Black kids with bows in our hair did wild, fresh and energetic rou- tines.” Zina and Vladimir also ben- efited by directing gymnastics programs they couldn’t do in Russia. In fact, Zina and Vladimir both wanted to be Olympic athletes but were not allowed on the team because they were Jewish. Both then pursued doc- toral degrees from Russian uni- versities — Zina’s in physiology and gerontology, Vladimir’s in biomechanics. Both became the highest-level master coaches in the Soviet Union. Their Detroit team’s achieve- ments, however, might have been overlooked but for the city embracing the team and marketing their successes. They were invited to perform at city- wide venues, from the Detroit Institute of Art to Cobo Hall. “Detroit was not a very popu- lar place in those days,” Wendy says, “and we were a positive ‘tourist attraction.’” The team also began to travel around the world, including to Bulgaria and China. It was the parents, led by Wendy’s mother, who raised money for their trav- els; and some Detroit groups, like the black women’s reading group, Sorosis, rallied to support the girls. But not everyone accepted Zina’s team, the only truly diverse gymnastics team in the country, Wendy says. Two-thirds of the Detroit Metro team was African American. While Wendy, in 1978, became the first African American to make the National Rhythmic Gymnastics team, in 1983, at the training camp for the World Championships, the head coach overlooked Wendy and selected girls who ranked lower. When Wendy questioned the judge’s call, she explained, “You stand out too much!” Wendy’s parents sent a telegram to the national USA Gymnastics organization, chal- lenging the coach’s call and won their case. Wendy went on to continued on page 16 14 February 8 • 2018 jn