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ABOVE: While Harold was
working on West Side Story,
Lillian met the woman who ran
a full-time research library at
the Samuel Goldwyn studio.
She volunteered to help and
ultimately acquired the library,
shown here at Paramount in
1996. LEFT: The animators of the
Shrek movies created the King
and Queen in the likeness of the
beloved Harold and Lillian.

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It was about Robert Boyle, an AFI
professor who was Alfred Hitchcock’s
production designer for five films,
including The Birds, which Harold
worked on.
“In 1999, Harold, Lillian, Robert and
I took a trip to the coastal town where
they made The Birds seven years ear-
lier. It was the start of a friendship that
lasted, and I see Lillian about once a
month, more often when we’re doing
presentations.”
Although Lillian speaks about pro-
fessional and personal experiences,
there are plenty of home movies, pho-
tos and letters (some sizzling) to bring
the commentary to life.
“I told Daniel to use the home mov-
ies so they make sense chronologi-
cally, and he made this masterpiece,”
she says. “I expected something very
modest, but he really got into it. The
documentary seems to have touched
people all over the world. “
Lillian, born Jewish, and Harold,
raised with a strong emphasis on
Judaism, have valued the ethics of
their religion.
“We had a rabbi marry us in a
Sunday school because my husband
had been given a very traditional
Jewish education and had a bar mitz-
vah,” she says. “My husband knew how
to do right. He was a decent and kind
man. My religion is to be kind and
good and do no harm.”
A learning experience not in the
film confirmed Lillian’s outlook. She
recalls a temperamental art director
throwing her research materials at her
and around the room. Although she
wanted to respond in a way similar
to his actions, she held back. He left
and shortly returned to apologize and
explain his behavior resulted from just
hearing he had terminal leukemia.
“That experience taught me to be
as kind as possible because you have
no idea what other people are going
through,” she says.

More representative of the attitudes
of executives was the decision to use
images of Lillian and Harold in the
Shrek movies, where they were cast —
and honored — as the film’s animated
queen and king.
Lillian’s decades of research mate-
rials are being stored by the Art
Directors Guild. Although she has had
inquiries about the possibility of hav-
ing them donated, Lillian is looking
for a buyer so that she will have funds
to leave to her three sons.
The work Lillian did with books and
periodicals is now handled with inter-
net searches. Lillian, for her personal
interests, uses an iPad.
“I use an iPad because I never
learned to type,” she says. “I use it
to keep in touch with my friends,
see movies and learn what Rotten
Tomatoes is doing. I just touch and
see, but I read books the old-fashioned
way. “
Although Lillian was nervous about
doing presentations, she gradually
overcame that.
“When Dan was asking me ques-
tions, I forgot the little microphone
on my chest and the camera in the
corner,” she says. “He made it a plea-
surable experience, and I felt I was just
talking to a friend.” •

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details

Harold and Lillian: A Hollywood Love
Story will be shown at the follow-
ing times by the Detroit Film Theatre
in the Detroit Institute of Arts: 7 p.m.
Friday, Aug. 11; 4 and 7 p.m. Saturday,
Aug 12; and 4:30 p.m. Sunday, Aug.
13. $5-$9.50. (313) 833-7900; dia.
org. Turner Classic Films tentatively
will show the documentary at 8 p.m.
Wednesday, Sept. 13. All the film that
landed on the cutting-room floor was
made into vignettes, Lillian’s Life
Lessons, that will be shown on the DVD
slated for release in October and on
Facebook at that time.

jn

August 3 • 2017

31

