Ge h t i W ons m m i ne S ssist a b llica ujillo a t e M Tr With Rober t With Bill Clinton With Late Show with David Letterman bassist Will Lee “Jon continues to push the boundaries in a sincere and humble way. He’s the rare guy who’s doing work that matters while following his calling.” — Josh Linkner A friend hired him to do some musical arranging, and he realized he was good at it. Soon he was writing and arranging for a variety of TV shows, including the Tonight Show, the Late Show and Miami Vice. He recalls the thrill he felt when he watched the Tonight Show with Johnny Carson and realized the band was playing notes he had written. He was getting steady work writ- ing, arranging and playing in Los Angeles, but after he and his first wife divorced in 1992 he decided to base himself in Michigan to be closer to his son Josh, then 5. With a passion for business second only to his passion for music, Liebman joined the fam- ily enterprise, the Specs Howard School (where his father, now 90, is still a daily presence). Starting as a marketing analyst, he rose to president and CEO. He gave up the day-to-day operations in 2008 — his brother, Marty, is now president — to concentrate on external rela- tions and long-term planning as chairman and CEO. Jon Liebman served on the board of JVS for six years and has been active with several Jewish Federation of Metropolitan Detroit committees. Soon after Liebman returned to Michigan, a friend suggested he write about some of his bass tech- niques. His first book, Funk Bass, was published in 1992. Five more books of bass instruction followed. His seventh book, Play Like Jaco Pastorius: The Ultimate Bass Lesson (Hal Leonard) and a companion Jaco Pastorius Bass Play-Along, will be published this summer. Liebman considers Pastorius, who died in 1987 at age 35, to be the greatest bass player who ever lived. Preparing the play-along book and accompanying CD was a challenge, he said, because he had to play the way Pastorius played. Liebman’s books have been translated into French, German and Japanese, and have sold hun- dreds of thousands of copies. Dan Hildebrant, 32, an elec- tric bass player who grew up in Farmington Hills and now lives in Redwood City, Calif., is a fan. “A friend recommended his books Funk Bass and Funk Fusion Bass when I was 17,” Hildebrandt said. “I found the instruction tech- niques and the bass lines in his books to be so well structured and funky that I brought them both to California with me, and now I am teaching some of his techniques and grooves to my own bass students.” A suggestion from a fan in England inspired Liebman to develop his online presence, and he launched ForBassPlayersOnly.com in 2009. The site has news articles, an online store with bass-related books (including his own), CDs, DVDs and more, and interviews with more than 400 bass players, including Paul McCartney and bassists from bands like Metallica, Black Sabbath and Aerosmith. The same year, he launched JonLiebman.com, a platform for bass instruction, with video les- sons — 99 so far — for students at all levels. Students can buy an “all access pass” for $12.99 a month. And last April, Liebman launched ForGuitarPlayersOnly.com, and he plans similar sites for pianists and drummers. Music journalist Gary Graff, for- merly with the Detroit Free Press, writes many of the articles on the guitar website. “Jon is the rare guy who’s not only a great player but also knows how to teach, and especially how to convey feeling and nuance and pas- sion in playing as well as technical skills,” Graff said. “His enthusiasm for music and for the culture of music and the camaraderie of musicians really gives his enter- prises a unique perspective that sets them apart from others.” For many years Liebman was a one-man band. “I was Employee of the Month every month,” he joked. His business is still based in the West Bloomfield home he shares with his wife, Mindy, and the youngest two of their four children. But he has hired a staff writer, a webmaster and a social media expert, and he’s considering adding marketing and administrative staff. His online presence is grow- ing. His For Bass Players Only Facebook page has more than 100,000 likes, with about 1,000 new fans joining every week. Liebman’s long-range vision is to expand into websites for the vari- ous instrument groups (strings, woodwinds, brass, percussion), music genres (jazz, rock, classi- cal and more) and careers (music engineering, songwriting, compos- ing, arranging, music therapy). He wants the Notehead Media Group sites to be a comprehensive resource for musicians, music stu- dents and music enthusiasts. Liebman’s friend Josh Linkner, a tech entrepreneur and jazz gui- tarist, says Liebman has the right combination of skills to pull it off. “Jon is a passionate musician, educator and business leader. I have deep respect for his thought- fulness in the board room and his artistic fire when behind the bass,” Linkner said. “He continues to push the boundaries in a sincere and humble way. He’s the rare guy who’s doing work that matters while fol- lowing his calling.” * July 21 • 2016 39