"UY WORTH OF GIFT CARDS AND GET A #OMPLIMENTARY GIFT CARD FOR YOURSELF arts & life Kids Eat Free Monday /FF 7INE 7EDNESDAY Editor’s Picks 2ESTAURANT )TALIAN #UISINE 248.476.0044 "UY ONE LUNCH OR DINNER ENTR£E AND GET THE SECOND OFF OFF /F EQUAL OR LESSER VALUE TOTAL FOOD BILL Not good with any other coupons. Not good with any other coupon. Not good on holidays. One coupon per couple. Up to $30 Not good on holidays. One coupon per couple. Up to $30 Expires 7/31/16 Expires 7/31/16 Off &ARMINGTON (ILLS s #ORNER OF 'RAND 2IVER (AGGERTY 2OAD !UBURN (ILLS s /2 MILES SOUTH OF THE 0ALACE OF !UBURN (ILLS 2053710 OPEN 24 HOURS 10% Senior Citizen Discount Tasty and Healthy Breakfast, Lunch and Dinners Homemade Soups Daily Western (Ham, Onions, Peppers & Cheese) Spinach and Feta Fresh Veggie Mushroom and Swiss OF SOUTHFIELD All of the above include Hash Browns or pancakes or fruit dish & toast 0O.JMF3E&BTUPG/PSUIXFTUFSO)XZt GRRR Grab your 3D glasses (pro- vided) and settle in for a double-feature of Creature from the Black Lagoon and then Abbott & Lynne Konstantin Costello Meet Arts & Life Editor Frankenstein, starring Bud Abbott (his mom was Jewish), Lou Costello, Bela Lugosi, Lon Chaney Jr., and Glenn Strange (the Western star who played Frankenstein was an eighth-generation grandson of Pocahontas and John Rolfe), at the historic Redford Theatre. Friday-Saturday, July 15-16. $7. (313) 537-2560; redfordtheatre.com. ALL YOUR FAVORITE BANDS “And may all your favorite bands stay together,” sings Dawes’ Taylor Goldsmith, author of all eight tracks on the band’s new album, All Your Favorite Bands. The L.A.-based quartet — powered by singer, guitarist and songwriter Goldsmith, his brother, Abbott & Costello Meet Frankenstein drummer Griffin Goldsmith, bass- ist Wylie Gelber and Tay Strathairn on keyboards — has a vintage folk sound, often compared to Crosby, Stills and Nash and Neil Young. See Dawes perform, with guest Matthew Logan Vasquez, 7:30 p.m. Tuesday, July 19, at the Royal Oak Music Theatre. $24-$45. Royaloakmusictheatre.com. BACK TO BLACK Commemorate the five-year anniver- sary of the death of Amy Winehouse — the enormously talented and soulful Open 6:30am – 3pm C AFÉ R ENDEZVOUS 7325 Orchard Lake Road, W. Bloomfi eld, MI 48322 248-737-7233 In the Robins Nest Plaza “For the Best Breakfast in Town!” Monday-Friday 20% OFF Buy One Omelette Get 2nd Omelette 10% OFF $2 Off With JN Coupon Only. 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Now Awarding Franchises Nationwide Visit MassageLuXe.com For More Information 2036150 38 July 14 • 2016 Celebrity Jews Nate Bloom Special to the Jewish News AT THE MOVIES/ON NETFLIX Opening July 15: The Infiltrator, a crime thriller, is based on a real story. In 1986, federal agent Robert “Bob” Mazur (Bryan Cranston) went deep undercover to infil- trate Pablo Escobar’s drug trafficking gang by posing as a slick, money-laundering businessman. He navigated a vicious crimi- nal network in which the slightest slip-up could have cost him his life. The case he helped build led to the indictment of 85 drug lords and corrupt bankers — it also led to the collapse of the BCCI bank, one of the largest money laundering banks in the world. Co-stars include John Leguizamo as Mazur’s streetwise colleague; Benjamin Bratt as an Escobar aide Mazur gets close to; and Amy Ryan as Bonni Tischler, who was Mazur’s boss in the Federal Customs service Tampa, Fla., office. Tischler, who died of breast cancer in 2005 at age 60, was a pioneering woman in federal law enforcement. She started as a sky marshal and rose to be a top national customs official before retiring in 2002. She told the Washington Post in 1987 that her parents were horrified when she became Ryan will play Tischler a sky marshal: “My mother always said that nice Jewish girls don’t go into law enforce- ment. ” The film is based on Mazur’s account of his undercover work. He had a tense relationship with Tischler and they differed, later, on what actually happened. The advance review by Variety is a total rave, praising Cranston, the screenplay and Brad Furman, 41, the director. Furman, who has been directing small films and commercials for decades, got his big break in 2007 when he helmed The Take, a taut crime thriller. He followed that up with The Lincoln Lawyer (2011), a hit legal thriller. When he decided to go into filmmaking,