RESTAURANT Mediterranean Persian Cuisine j=r22-) Micky Han / Hroulzmann j PiN9 bosh / Bob We?: Trey Anastasio • Jell Chilsenli • !Puce DEAD50 NET Tova Schreiber, imparting a passion for the Dead to the next generation and was friends with a Deadhead named Herby:' Weiss recalls, when the Dead released a live album, Reckoning. "I heard the first song, 'Dire Wolf and I was hooked:' Weiss says. Soon he was on his way to his first Dead concert, traveling to Chicago "in a school bus full of Ann Arbor hippies:' While Weiss knew many Jewish Deadheads, they connected around the band, not religion. But on reflection he finds a connection. "I had never given it much thought till now:' Weiss says, "but the nation of Deadheads is similar to American Jews — an invisible minority, unless we're in tal- litot and kippot (or tie-die, for Deadheads) — ifs a group where you'll be welcomed in because you're already a member:' Weiss didn't try to get a Chicago ticket, but hopes to catch a show on pay-per-view. Michael Steinberg, 51, an attorney living in West Bloomfield, has two "magic tick- ets" for each of the Chicago shows. Deeply networked into the Dead family for more than 30 years (his nickname is Miko — after the song "Iko, Iko"), Steinberg saw the band hundreds of times in the 1980s and '90s. He runs a Dead-focused Facebook page, the Weir Here/Further Listening Party with more than 13,000 members. Steinberg says the Dead was very popular at his Pikesville, Md., high school, which was 97 percent Jewish. He recalls how Carlebach disciples would attend con- certs on Shabbat after arranging for their tickets to be pre-torn. "For me, the Grateful Dead community was doing what you learned in Hebrew school; Steinberg says. "Nobody got shut out, everyone took care of everybody else. It was group consciousness that brought people together to live in peace, provide tzedakah and do good deeds and tikkun olam [repair the world]. "I learned in Hebrew school that one of the greatest ways of calling God is through music:' he says. "I had some very spiritual experiences with the Dead. Sometimes it was just me, Jerry Garcia and God:" For decades, Steinberg has been a "wharf rat" The title of a popular Dead song, it denotes fans who eschew drugs and counsel and assist other fans who do not. Howard Spinner, 48, discov- ered the Dead while at Southfield High School in the mid-'80s when friends lent him concert tapes. In col- 30005 Orchard Lake Road Farmington Hills lege he fell in with other Dead fans and would road trip to concerts. His career in sales allowed him the flexibility to pick up and go to concerts, which he loved for the music and the sense of community. "You'd meet people on the road or at shows and you would see them at other shows and they became good friends. So touring became kind of a reunion:' he says. His fmal Dead concert was at Soldier Field in 1995. He hoped to be back in Chicago next week after sending away for tickets and booking a hotel, but the mail-order didn't come through. When the Ticketmaster tickets went on sale, he had four computers logged on, but again came away empty-handed. He'll be watching on pay-per-view with a group of friends and will see the fmal show simulcast at the AMC Livonia 20. Tova Schreiber, 26, who lives in Oak Park and teaches at Akiva Hebrew Day School, was introduced to the Dead by her parents, Batya and Ronnie. "I probably started listening to the Dead in utero," Schreiber quips. "It's always been a part of my life. For me the Dead are a journey, a transportation kind of experi- ence. They touch me, speak to me and inspire me spiritually, mentally, emotion- ally and even physically:' For Schreiber, an observant Jew, it's not a religious experience, but a spiritual one. "You close your eyes and meditate on it. It's almost like davening," she says. "Like davening, the only right way is being in the moment. You can immerse yourself in it; if you don't totally let it wash over you, then you are missing something" She never planned to go to Chicago, but hopes to catch a simulcast. She also disdains the drug scene at some concerts. "Ifs insulting when someone says you must smoke to get it. The music itself gets you there. If you allow it to transport you, it will. 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