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from page 41

they thought the glass would be a
good match. They also just opened a
Decorative Arts Gallery so it all fell
into place."
This is the first time any Ogul
holdings have been on museum dis-
play.
Ed, a graduate of Mumford High
School who earned an education
degree at Wayne State University,
started collecting while teaching in
Detroit Public Schools.
As Ed developed a career specializ-
ing in English and speech before tak-
ing on administrative responsibilities,
he and his wife bought prints from an
art teacher sidelining as a dealer.
"I did quite a bit of reading on the
art that I was buying, and it piqued
my interest;' Ed says. "I started a
small business of buying prints from
publishers and offering them to
friends just to see what would hap-
pen.
"When I first handled prints,
they mostly were for people who
[were looking for specific prints].
Gradually, I extended the business
at the same time Karen and I were
building our own collection:'
Ed, who also has taught part time
at local colleges, decided to make the
print business a full-time occupation
as he retired after 30 years in educa-
tion. His wife, a neonatal intensive
care nurse, also decided to transition
into the art firm.
"I think that any collecting experi-
ence that lasts over time becomes a
learning experience Karen says. "I
enjoy both aspects — the beauty and
the learning."
When the Oguls show inventory at

print shows, they take about 24 boxes
of unframed prints and 30-40 framed
pieces. The works fit into the couple's
minivan and require considerable
effort for setup.
The Oguls generally sell prints that
depict experiences during dramatic
times in the United States, whether
involving the circumstances sur-
rounding World Wars I and II or the
Depression.
"Much of what appeals to me —
and some 1,400 people and 35 muse-
ums on our mailing lists — is the
imagery involved with those experi-
ences:' Ed says.
Scenes of bread lines, unemploy-
ment centers and social confronta-
tions are very compelling and poi-
gnant to the Oguls, who note that
many of the artists they represent
were champions of social justice
supported by the Works Progress
Administration.
Ed, who defines himself as cultur-
ally Jewish, holds a number of dra-
matic prints by Jewish artists. Their
impact is quite different from what is
elicited by the glassmakers.
Raphael Soyer's The Mission depicts
men getting help at a sustenance
center in New York City. Editorial
in Paint by Kyra Markham (Elaine
Hyman) shows gravestones of classi-
cal artists along with figures of mod-
ern artists at work.
"Art brings beauty into our house,
and we get to live with that on a daily
basis;' Ed says. "I can walk into any
room and find something I can look
at and just enjoy over and over again.
"The art also gives us a purpose
for visiting other countries and look-
ing at the works produced there.
We're always buying art and adding
to our inventory. I can't imagine life
without art:'

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June 25 • 2015

43