>> ... Next Generation ... Career Soundtrack Love of music leads to job overseeing musicians'careers. KAREN SCHWARTZ I SPECIAL TO THE JEWISH NEWS W est Bloomfield native Adina Friedman, 32, works as a manager at Atom Factory Management, a Los Angeles-based music management company. For the past two- and-a-half years, she has been overseeing artists' careers with the company and helping them grow. Her main responsibility is Lindsey Stirling, an electronic violinist and artist whose label Friedman handles. Friedman is also part of the day-to-day team for singer/songwriter Meghan Trainor, where her job includes helping coordinate Lindsey logistics, public appearances, Stirling press and marketing activities. Friedman's role has taken her all over the world, from Japan to Germany, Poland to England, France, Norway and Italy. She has also been all over the U.S. "It's different all the time; that's what I like about my job," she says. "A lot of it is really looking after the artist and making sure they're well taken care of, and managing their schedule, their time — making sure they're not put into situations they can't handle — saying 'no' when you have to say 'no' and 'yes' when you have to say 'yes; so the artist doesn't have to worry about not doing something." The job means working behind-the- scenes with the talented artists as well as a front-row seat to watch them keep developing. It also means getting to be a part of big moments, she says. "I got to see Lindsey win an Echo Award, which is the equivalent of a Grammy in Germany," she recalls. "I got to see her debut as No. 2 on the Billboard chart." Music's Allure Friedman's passion for music goes back more than a decade, when she was admiring the music industry from afar. She worked at the Sam Goody music store in Novi's Twelve Oaks Mall in high school and while at the University of Michigan returned to Sam Goody on summer breaks. That's how she met a Warner Elektra Atlantic representative, who used to come into the store to set up in-store appearances and marketing pushes. "I started talking to her and inquired about an internship," she recalls. The summer before her junior year, she interned for WEA and developed her own aspirations for working in music. When the internship ended, she transitioned to a position within Atlantic Records as a college representative, promoting artists on campus and setting up "listening parties," giveaways and in-store appearances. By the summer before senior year, she had been handpicked for an internship with Atlantic Records in New York, where she worked in the radio promotion department. I During senior year, she worked as a college representative while simultaneously working at two area record stores. After graduation, she decided to pack her bags. "Two weeks after graduation, I moved to New York," she says. "I wanted to get a headstart." She joined Warner Music in July 2004 and worked her way up from being advertising department assistant to doing her own media planning and buying. She then moved over to a new department that focused on Web strategies for artists to sell directly to their fans. Then she realized she wanted to be on the management side and left Warner for a Sony Music-funded startup called tinyOGRE Entertainment. There she worked closely with artist managers and oversaw the activities related to the record label. When it lost funding in 2011 and the label closed its doors, she transitioned again. "I was really fortunate to meet an amazing manager who was managing John Legend," she recalls. The manager, Ty Stiklorius, recruited Friedman freelance to help out with singer/songwriter Madi Diaz at management company The Artist Organization in Los Angeles. So in May 2012, she traded coasts. By October that year, they both moved over to Atom Factory, where Stiklorius is now co-president. And, in March 2013, they discovered Lindsey Stirling and took her on as a client. 'Ideal Artist Model' "Adina is a breath of fresh air in the music industry as far as managers are concerned," At the Billboard Music Awards 2014: Adina Friedman, second from left, with musicians Drew Steen, Lindsey Stirling and Jason Gaviati. says Stirling of working with Friedman the last two years. "People love working with her because she makes people feel appreciated and valued. I also didn't think I'd ever meet someone that could work as hard as I do and, with Adina, I've met my match." Together they've created what Stirling calls the "ideal artist model," using Friedman's skills and knowledge of the label side to push ahead Stirling's social media approach to music — she has hundreds of millions of YouTube views, and her debut album sold more than 440,000 copies in the U.S. without a major label's backing. Stirling will perform June 26 at Meadow Brook Music Festival in Rochester Hills. Even with a hectic touring schedule, Friedman finds time to head home to Michigan multiple times a year to visit her parents, Lorraine and Jacob Friedman, a brother and two nieces. Here she attended Adat Shalom Synagogue in Farmington Hills, was active in BBYO and went on a Birthright Israel trip. Friedman also went back to Ann Arbor a few years ago to talk with college students for a career day. She credits her family for teaching her that hard work often generates rewards. "My dad was an entrepreneur who started his own business, so I got to see the drive and determination," she recalls. "My dad moved from Israel to start a whole new life, and essentially I was doing the same, by moving to a new city where I really didn't know anyone." And, she says, growing up in Michigan exposed her to music and the "music scene." In high school, she would make weekly pilgrimages to Detroit and Pontiac to see concerts and made a book with all her ticket stubs. "That live music scene in Downtown Detroit really made me fall in love with music," she says. "I've seen the way music touches people and helps people find hope." Stirling is an example, she says. "Lindsey is able to give back to fans and inspire people and use her fame for good, and it's really inspiring to be a part of something greater than just ... it's not just the entertainment business; it's not just music. I've seen it firsthand make a positive difference in people's lives." Meanwhile, Trainor also has grown leaps and bounds over just a year's time. "She's grown into this incredible performer and artist, and through her song, All About that Bass,' has reminded people to love themselves," she says. And one of the coolest things about her job, she says: "Watching my nieces know and love the artists I work with." ❑ April 23 • 2015 51