arts & entertainment Expressive Spirituality A new exhibit at the Janice Charach Gallery, focusing on mysticism and meditation, features works by a Detroit native. I Elizabeth Applebaum Special to the Jewish News W hen Avraham Loewenthal was a student at the University of Michigan, a rabbi suggested he read Jewish Meditation. It's a quiet enough title, but the book was about to fill Loewenthal's life with a kind of brightness and spirituality and adventure and faith and a world of possi- bilities he never had even imagined. Jewish Meditation, which teaches read- ers how to use meditative techniques to enhance prayer, was written by Rabbi Aryeh Kaplan (1934-1983), a man who saw beauty in both the spiritual and physical worlds. An Orthodox rabbi, he also held a master's degree in physics from the University of Maryland. Initially interested in yoga and Eastern meditation, Loewenthal found Jewish Meditation to be "life-changing:' he said. "It opened me toward realizing that the spiritual practice I was looking for was to be found within Judaism itself" While studying at U-M and later in Chicago, Loewenthal "continued to read Kabbalah books by Aryeh Kaplan:' he said. "These inner spiritual teachings inspired me to come to Israel on a spiri- tual journey that is still continuing these 20 years later." Now Loewenthal's art is coming to Michigan in a new exhibit and sale, "Expressive Spirituality," running May 15-June 26 at the Jewish Community Center of Metropolitan Detroit's Janice Charach Gallery. "As we approach the date of the open- ing of our new exhibit, I am excited and proud to present to our community artworks depicting a theme that we can all relate to: spirituality," said Gallery Director Nechama Lurie. "This exhibit will physically capture the lofty ideas of Kabbalah and spirituality. The most beautiful aspect, in my opinion, is that while the artist created the art- work, the viewer completes the artwork through rendering his own interpreta- tions, feelings and taking them to heart!" Loewenthal — who attended Akiva Hebrew Day School, Hillel Day School and Southfield Lathrup High School — is owner of the Gallery of Mystical Art located in Tzfat, an Israeli city renowned for its creativity and spiritual history. Today filled with galleries and stone houses covered with vines that weave, maze-like, along every crevice, Tzfat in Sneak Peek A sneak peek of "Expressive Spirituality," along with a lecture by Dr. Jeffrey (Yossi) Chajes of the University of Haifa, will be held at 7 p.m. Monday, May 12, at the Janice Charach Gallery in West Bloomfield. Chajes, whose lecture is sponsored by the Cohn-Haddow Center for Judaic Studies at Wayne State University and co-sponsored by the JCC's SAJE (Seminars for Adult Jewish Enrichment), will speak on "It's Good To See the King: Visual Kabbalah and the Diagramming of the Divine." the 1600s became the center of Kabbalah. Loewenthal's pieces often combine the mystical aspects, traditions and symbols of Judaism with, interestingly enough, contemporary techniques. "Many years ago, I became fascinated with learning about how the ancient pat- tern of the 100 sounds of the shofar that are blown on Rosh Hashanah are a deep spiritual mapping of our inner spiritual states of consciousness!' he said. Initially, he painted on wood. Then he began "to work with the shofar sounds in a new way that is very exciting!' he said. "I have begun to run the actual sounds of the shofar through computer software used in sound analysis that maps out the sound waves!" He uses these to create bright and colorful pieces filled with lines and arrows and rectangles. "I am being continually drawn to create new works inspired by the sounds of the Below: Avraham Loewenthal: 100 Sounds. L ogolmiglIPM ■ IMP •W ■ ■ 11qp 11WaPI-W■ ,. ■ 1111p ■ _ Chajes is associate professor in the department of Jewish history and director of the Center for the Study of Jewish Culture at the University of Haifa. The author of Between Worlds: Dybbuks, Exorcists and Early Modern Judaism, he serves as director of the Ilanot Project, a catalog of kabbalistic diagrams in manuscripts and books from the Middle Ages to today. In his presentation, he will discuss and show examples of the many diverse kabbalistic designs from throughout history. There is no charge. Spirituality on page 50 Connecting People To Art Janice Charach Gallery welcomes new director. I Suzanne Chessler Contributing Writer N echama Lurie feels very much at home taking on responsibilities as the new director of the Janice Charach Gallery, located in the Jewish Community Center in West Bloomfield. Lurie's last position was manager of the Blue and White Art Gallery in Jerusalem, where she oversaw operations of a family business passed along to dif- ferent generations. "I'm regularly in touch with Natalie and Manny Charach," explains Lurie about the parents who endowed the gal- lery in honor of their late daughter, an artist based essentially in oils and water- colors with a degree from the College for Creative Studies. "I think it's very important that the gallery reflect what they want because this is their heart and soul. I want to be a vessel for them similar to the role I had at the gallery in Israel, where I kept up the policies and messages that the family wanted. "Working in any gallery is a wonderful opportunity to help people exprzzzess their dreams and bring them to reality" Lurie, 29, started at the gallery on March 10 after going through a final interview with Shari Lebo, former JCC arts, culture and education director. She found that programs had been booked for about a year in advance and finances are Nechama Lurie Connecting on page 50 May 1 • 2014 45