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Left to right: DSO Robotic Camera Operator Mark Adler, Technical Director
Warren Wilson and Digital Media Producer Scott Harrison test a new robotic
camera system in the Al and Ruth Glancy Production Booth in the basement
of the Max M. Fisher Music Center.

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April 3 • 2014

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all c:1 OI B11G Dam [J,

Suzanne Chessler
Contributing Writer

bination makes for a richer experience
with music.
"I love sitting in the concert hall and
ong before the Detroit
having the sound wash over me in a
way that can happen only when I'm
Symphony Orchestra begins
playing selected programs,
in front of the orchestra feeling the
Scott Harrison has helped make sure
warmth of the performers and acoustic
those melodies linger on and out.
environment.
Harrison does that in part by over-
"I love the Web because I get this
seeing the symphony's webcast initia-
whole perspective of getting up close
tive, Live from Orchestra Hall, offering
and seeing the musicians' faces and
digital availability as
fingers. My attention is
designated concerts are
drawn to the instruments
being performed.
that are having solos, and I
Orchestra Hall audi-
know right away if it's the
ences often can hear
oboe, trumpet or violin.
encores online if a later
"With the Web, there's
performance of any
also a learning component
concert they attend is
because people are watching
chosen for Web avail-
through curated, directed
ability. Those unable
experiences, being led
to reach the hall,
through each piece in an
f 't
sometimes because
interesting way. We have
Scott Harriso
of distance, can avail
pre-concert and intermis-
themselves of webcasts,
sion interviews so people
and viewers in more than 80 countries
can learn about the music and artists:'
have done so.
During the DSO classical series,
Upcoming webcasts include Leon
there are about 25 programs a year
Fleischer & Shostakovich 10 at 3 p.m.
with each played between two and
Sunday, April 6; and Special Event:
four times per weekend. One concert
Yo-Yo Ma with the DSO at 7:30 p.m.
from a series is chosen for the Web.
Wednesday, April 9.
A Pops concert, Cirque de la
Connections are made by going to
Symphonie, has been presented on
dso.org/live, where schedules and ways the Web and "max-cast" along the
of being notified directly of upcoming
building exterior, showing a range of
webcasts are posted.
acrobatics performed to symphonic
Harrison, who joined the orchestra in works. Next season, it is projected that
2010, serves as the executive director of one Pops and one Jazz program will be
board engagement and strategy and the
streamed.
executive producer of digital media.
"We find other ways to have reruns
or encore performances:' Harrison
"I love listening to the symphony
both in the hall and digitally because
says. "We'll put popular webcasts up
they're unique experiences:' says
on our website so people can come
Harrison, 33. "It's hard for me to imag- back later and enjoy them. We put
ine any institution not wanting to offer clips on our YouTube channel:'
both opportunities because the com-
Additional electronic connections

L

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M EAT TRAY

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900990