• WB native supervises scripts and pitches jokes for The Goldbergs. I Suzanne Chessler Contributing Writer A aron Kaczander never wanted or tried to be the class clown, but he has moved to California pursuing a career in comedy. Kaczander, script coordinator for the new sitcom The Goldbergs, also per- forms improv com- edy and writes pilot scripts for series he hopes to sell. "I'm grateful to be Aaron working on such a Kaczander funny show as The Goldbergs, which is based on the life of its creator, Adam E Goldberg, as he was growing up in suburban Philadelphia; says Kaczander in a phone conversation from the West Coast. "This show is honest in its portrayal of a family in the 1980s. It's got every- thing that could make people nostalgic for the period, and viewers will say what's happening in the series hap- pened in their families, too. "Even though there's a lot of comedy around people yelling at each other and arguing, it's about people who love each other. They just show it in different ways:' The Goldbergs, which premieres at 9 p.m. Tuesday, Sept. 24, on ABC, show- cases a family of five. Mom (Wendi McClendon-Covey) remains over- protective and in charge as dad (Jeff Garlin) tries to control his temper. While Erica (Hayley Orrantia), 17, stays strong-willed, Barry (Troy Gentile), 16, comes across as emotional. Adam (Sam Giambrone), 11, goes around with a camera, wanting to be a director. Grandfather Albert "Pops" Solomon (George Segal) is depicted as the wild man of the clan. "I really like the characters:' says Kaczander, who proofreads scripts and pitches jokes in the writers' room. "My immediate goal is to be a staff writer on the show, and it's a great opportunity to be around funny people who have the goal of making hilarious programs:' To explain some of the humor — the difference between what people say and what they mean — there are subtitles in the first episode. The first season does not have direct Jewish content. Kaczander, who was active with the forensics program at Birmingham Groves High School and a song leader at Temple Beth El, concentrated on screen arts and culture as well as English at the University of Michigan. "I knew that I always loved writing and did a screenwriting minor; he recalls. "I had been passionate about all this before college, but my classes really hit home. "I had Jim Burnstein (The Mighty Ducks and Renaissance Man) as a teacher, and he was fantastic. I gradu- ated in 2006 and figured I liked movies and being out West so I got a job orga- nizing volunteers for a season at the Sundance Film Festival. I went on to the Tribeca Film Festival in New York and decided I didn't want to work at festivals anymore." After moving to Los Angeles, Kaczander was hired as an agent's assistant and made contacts that led to his becoming a production assis- tant for the ABC Family show Greek. Associations with writers introduced him to Goldberg, who hired him for the Fox series Breaking In. "Adam has been a great mentor," says Kaczander, who grew up in West Bloomfield and returns to see family about three times a year. He is the son of Bruce Kaczander, a podiatrist, and Karen Kaczander, a pharmacist. Since completing improv classes at the Upright Citizens Brigade Theatre in Los Angeles, he has joined a team affiliated with the organization, which has helped him book appearances at smaller theaters around Los Angeles. Describing his humor as observational, Kaczander says it was advanced by experiences at Camp Tanuga. "I love working with funny people and have learned that TV is a fantas- tic industry but is not easy:' says the humorist, who is single. 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