arts & entertainment THAT The show poster DOROTHY PARKER with Carole Lempert and, Writtez&!>n!=1bICl:o1Lr pert right, the real Sharp Shooter Dorothy Parker, who once said: "The first thing I do in the morning is brush my teeth and sharpen my tongue." Former Oak Parker brings the rapier wit of poet/satirist Dorothy Parker to the stage. I Suzanne Chessler Contributing Writer C arol Lempert, who left Michigan almost 25 years ago to pursue an acting career, is returning as both an actress and a playwright. Her attention is being given to Dorothy (Rothschild) Parker, writer and activist, known for bringing humor to a wide array of fans but silently suffering personal turmoil that led to three suicide attempts. Lempert wrote the one-woman produc- tion, That Dorothy Parker, and will be per- forming the title role as well as other charac- ters important to Parker's life. The fun and the drama, scheduled by Jewish Ensemble Theatre, will be presented at 5 and 8:30 p.m. Saturday, Jan. 12, at the Berman Center for the Performing Arts at the Jewish Community Center in West Bloomfield. "I've been touring this show since 1999, and I love sharing Dorothy's story with audi- ences, particularly those who don't know much about her:' says Lempert, 51, in a phone conversation from the road. "When people come to hear some of her famous poems and quotes, they say they knew them but didn't know they were from her. I like this educational part. "The play explores and contrasts her public self versus her private self so I've interspersed her funny poems against what was going on in her life at the times she was writing them:" Parker's literary achievements made her part of the Algonquin Round Table, a group of famous writers regularly meeting for lunch at the Algonquin Hotel in New York City. Her books include Enough Rope, Jews Nate Bloom Special to the Jewish News Film Notes Opening on Friday, Jan. 4, is Not Fade Away, the first feature film by Italian- American David Chase, the creator of The Sopranos. Like that TV show, this film is set in New Jersey and features an Italian-American family – with James Gandolfini once again playing the father. But the time is 1964, and the family is just a normal, blue-collar one. The central character, Doug, is a teenager who, inspired by the Rolling Stones singing "Not Fade Away" on TV, forms a rock band with two buddies, put- ting a wedge between himself and his 28 January 3 • 2013 JN and she regularly wrote for the New Yorker "I came across a Dorothy Parker mono- among many other magazines. logue, The Waltz. It's about a sort of wall- "The play is sort of in the style of Lily flower at a dance, and I thought it was really Tomlin as I present 12 characters:' says funny. When I finished reading it, I started Lempert, whose additional portrayals looking for her other work — short stories, include writers Edna Ferber (born to Jewish poems, reviews. I also read four biographies:" parents in Kalamazoo), Lempert learned that Robert Benchley and Parker's father was Jewish Alexander Woollcott. (he was not related to the `As the creator and pro- famous Rothschild bank- ducer, I have a talkback ing family) and married after every show. Because a Catholic woman shortly I've shared 90 intimate after the death of Parker's moments with audiences, biological mother, who was I get a lot of joy in sharing of Scottish descent. The what each audience is tak- writer was 4 years old at the ing away from the experi- time of her loss. ence Parker, educated in That Dorothy Parker, Catholic schools, took her directed by Janice penname from her first hus- Greenberg, takes place band, stockbroker Edwin on one day in 1943, Pond Parker. She wrote Carole Lemper t: "Parker's when Parker walks into screenplays with her second Judaism man ifested itself in husband, Alan Campbell, the Algonquin to mourn Woollcott, encounters gawk- her social act ivism." who also had Jewish heri- ers (the audience) and remi- tage. nisces about her life. "Parker's Judaism manifested itself in her "The play started out with a 20-minute social activism:' Lempert says. "She got quite version after I was invited to perform in a involved in creating unions:' festival; Lempert says. "Audiences wanted Lempert's Judaism, when she was living in to know more so the piece has grown. I pre- Oak Park, manifested itself in participation miered the current version Off-Broadway in with B'nai B'rith Girls. She was president of 2008:' her chapter. Lempert's interest in Parker was launched "I was a little kid who was singing and with the help of her husband, Scotty Watson, dancing around the house says the Oak a sketch comedian and instructor who has Park High School graduate, who participated worked at Second City in performance activities before studying "Scotty had wanted to work with me on a theater at Wayne State University. show about vaudeville," Lempert recalls. "I "After I got my degree and toured with didn't know much about vaudeville so I took a children's production out of the Detroit myself to the library and got a book. Institute of Arts, I thought I would study at father. Playing Doug (and looking like a young Bob Dylan in the role) is John Magaro, 29, who has done many TV guest shots and has had a few big film parts. Magaro is the son of an Italian Catholic father and a Jewish mother, both teachers. He was raised Jewish. Brad Garrett, 52, has a large support- ing role in the film. On The Radio Magaro I recently heard two terrific radio inter- views conducted by actor Alec Baldwin on his public radio series Here's the Thing. One was with African-American comedian Chris Rock and the other with musical leg- end Herb Alpert, 77. I thought that the interviews were brand-new, but it turns out my NPR station had only recently picked up this series for broadcast; the Rock interview was a year old while Alpert spoke to Baldwin last March. Baldwin is a great host; Here's the Thing can be listened to or downloaded online. Rock told Baldwin that half his audi- ence is white, and they appreciate that he doesn't try and do "cross-over" material to appeal to Alpert York University in Canada to round out my education. I moved to Toronto, met my hus- band and stayed for about 20 years. "The Toronto acting scene is like the New York acting scene. I could do theater, film, television and commercials, and I did com- edy with my husband:' When Watson got cast in an Off-Broadway show about six years ago, they decided to move to New York, where he continues to appear and teach improv as she pursues performance opportunities through stage, television and film. Lempert's work has included another solo show, After Anne Frank. Part of it involves coming to terms with the actress' own spiri- tuality. Affiliated with a Reform congregation in Toronto, she joined the Actors Temple in New York City. While touring, Lempert maintains a paral- lel career as executive coach and corporate leadership trainer. Before she moved to Toronto, Lempert appeared in three JET productions, including Cantorial and Crossing Delancey, and left the company with two priceless gifts beyond her stage talents. "My parents, Thelma and Harold Lempert, always came to see me, and they really loved what JET was doing:' she explains. "They have been volunteering as ushers ever since:' ❑ That Dorothy Parker will be presented at 5 and 8:30 p.m. Saturday, Jan.12, at the Berman Center for the Performing Arts at the Jewish Community Center in West Bloomfield. $42-$45. (248) 788-2900; www.jettheatre.org . them. However, he shocked Baldwin when he said that he first tries out his material on Jews. Rock explained that he did new routines before an audience of mostly older Jews in West Palm Beach, Fla. If they laughed, Rock said, he knew he would "kill" with black people. One highlight of the Alpert inter- view: "Stan Getz (1927-1991), the late, great sax player, was like a brother to me. I produced two albums with Stan, and he played this one song that was just ... man, goose bumps were flying up my back. I said, 'Man, what are you thinking when you're playing?' and he says, 'Well, I think like I'm in front of the [Western] Wall in Jerusalem, and I'm davening." ❑