COMMUNITY MAGNUM OPUS FIVE THINGS YOUR KIDS WILL LOVE Can Russian Lit Be the New Jewish Lit? Nadia Kalman weaves Russian history and the Jewish experience together for a compellingly modern read. By Yoni Apap The title of Nadia Kalman's promising debut novel, The Cosmopolitans (Livingston Press, 2010), refers to an internationalist — even global humanist — sensibility that her charac- ters see as deeply Jewish and Russian. As one member of an avant-garde cadre of young Russian-Jewish writers, the author makes an undeniable case for the vibrancy of this cosmo- politan approach to literary expression. Kalman traces the lives of a Russian emigre family that has settled, finally, in the dreary suburb of Stamford, Conn.: Father Osip Molochnik, an engineer and lover of Jewish Russian dissident poet Alexander Galich; his wife, Stalina, who holds deep, dark secrets and ti di) training as a lab technician; their eldest daughter, Milla, an obedient child and ac- countant whose marriage to Malcolm Strauss masks her own lesbian longings; stri- dent middle daughter, Yana, who strives to be a Marxist and feminist in a world that seems to truly value neither; and the youngest, Katya, who hides behind silence because, when excited, she N fi I) I 11 speaks in sound bites from Leonid Brezhnev's public speeches in a"strangely mannish voice." The book's plot ostensibly centers on the marriages of the Molochnik sisters, each unconventional in its own way. The language is descriptive and fresh, eschewing the hack- neyed Yiddishisms of earlier generations for colorful Russian idioms — and the tortured English of native Russian speakers. That cultural sensibility extends to the story's thematic overlay, adapted from a familiar Rus- sian literary conceit, that suffering is a means of redemption. But the book is, at its core, a story about what makes this proudly Russian family so recognizably American. Some of this is the result of the book's humor, a mash-up of Rus- sian absurdist influence and a Jewish-American magic realism. Katya's disability provides consistent humor and, later, pathos. More funny, and recognizable, is Yana's courtship by a Bangladeshi Muslim student. The resulting wedding, a comedy of errors, is drawn as a series of failed moments of cultural detente between two ethnic communities — whose intense awareness of their own "outsider status" is not enough common ground to bring them together. The novel is structured as a series of vi- gnettes from alternating points of view from multiple characters. It works well because it makes the book very readable, and the format is perfect for satire and critique. Kalman's withering portrait of Strauss family members, like 6466* Milla's husband Malcolm, who is portrayed as a selfish, Ivy League- educated man-child who wants to be a rock star, seems an indict- ment of both East Coast privilege and a previous generation of Jew- ish immigrants who now proudly boast their pedigrees, jostling to announce their children's mar- riages in the New York Times. The alternating narrator-style technique Kalman uses is not without its weaknesses, however. eaiN- Some may be frustrated by the book's episodic structure and dearth of character development. Certain players are left frustratingly mysterious, especially Osip's older brother Lev, a dissident who spun false family stories for Osip in order to inspire and sustain the younger Molochnik in Russia. Lev's shifts into first-person narration are gripping, but he seems too much a cipher because our glimpses of him are few and far between. Perhaps this is precisely Kalman's point, of course. Lev is a relic, a loner. And, while perhaps Lev — and what he embodies — is the philosophic soul of the novel, it is not its heart. The Cosmopolitans is Kalman's literary Declaration of Independence from needing to address explicitly and exclusively"Russian" and "dissident"themes: As asked pointedly by Lev at the novel's midpoint,"What ... is the point of immigration, if not new stories?" The toys are back in town — and they've brought their ice skates! Disney On Ice brings Disney Pixar's Toy Story 3 (plus memorable moments from Toy Story 1 and 2) to the Palace of Auburn Hills Wednesday-Sunday, March 9-13. See Buzz's galactic battle with Emperor Zurg and a hoedown on the set of"Woody's Roundup" all while the whole gang tries to escape the evil Lots-o'-Huggin Bear and the terrifying toddlers at Sunnyside Day- care. To infinity and beyond! Tickets start at $15. Palace of Auburn Hills, 6 Championship Drive, Auburn Hills. (800) 745- 3000; ticketmaster.com or palacenet.com . fOSIAPOLITAIIS PURIM SHPIEL AT DETROIT PUPPET THEATER By Harry Kirsbaum The Post-Date Post credo: It's either a good date or a great story. All stories from Post- Date Post published in Red Thread are done with our promise that the author's name is withheld. Go to redthreadmagazine.com for past columns as well as a link to the Post-Date Post website. IT'S JUST BUSINESS, SWEETIE I'm out at a club and this Russian girl ap- proaches me. She is hot, and drunk. We walk back to her car and we're making out, and I look in the backseat of her minivan and see a child's seat. So I think, "Oh well," another mar- ried one. A few weeks later we start messing around even more and it's totally great. She said she wasn't interested in her husband, who married her through a Russian bride website; she just wanted to get to the United States. It's going fine [and] I'm once again totally enamored because I don't have to do much of anything to be with her. But, my favorite part was when she said we had to break up because she started dating somebody else — her divorce lawyer — because her aim was to get the house. She said, "I can't have sex with you anymore because my lawyer told me I can only have sex with him."Then she tried to set me up with her cousin. If it's March (or Adar I and II, if you want to get technical), then it's time for some festive Megillah action at PuppetART Detroit Puppet Theater. Their annual production of Purim Shpiel is based on the biblical Book of Esther and tells the story of how a beautiful but poor Jewish girl marries the wealthy King Ahasuerus and saves her people from certain death at the hands of the wicked Haman. Kids love this holiday, which is known as the Mardi Gras of the Hebrew calendar. Located in the city's theater district, Detroit Puppet Theater offers Purim shows every Saturday during March at 2 p.m. Performances are $5 for children, $10 for adults. 25 E. Grand River Ave., one-half block east of Woodward, Detroit. (313) 961-7777; puppetart.org . CHITTY CHITTY BANG BANG Dick Van Dyke may not excel at putting on an English accent, but he's practically perfect in every other way in this film classic. Bring your kids (and the grandparents) for this rare chance to see him on the big screen, singing and dancing his way through Chitty Chitty Bang Bang (based on the children's book written by James Bond creator Ian Fleming) at the historic Redford Theatre. With a screenplay by Roald Dahl, and Oscar-winning songs by brothers Richard and Robert Sherman (composers for the musical films Mary Pop- pins and The Jungle Book), Chitty is a must-see classic. 8 p.m. Friday, March 25; 2 p.m. and 8 p.m. Saturday, March 26. All seats: $4. Redford Theatre, 17360 Lahser Road, Redford. (313) 537-2560; redfordtheatre.com . WILD WINTER SAFARI SOCIAL Single Men and the Married Women they know — Biblically! I RED THREAD TOY STORY 3 ON ICE 6 6 6 6 6 6 6 6 POST-DATE POST 6 March 2011 Winter Safari at the Zoo, A Movie Musical and Puppets Galore THAT'S A 'NO' ON THE WATER? I [remember when] I met this girl who I was absolutely in love with — maybe not love but infatuated with her. And my friend Mark was at the bar, and he liked her, too. We were definitely competing for her, but I basically just got tired and went home. Several months later, she's at the [same] bar again and basically [asks] me,"Why did you leave? I so wanted to be with you And I'm like, "O K!" So we have a couple of dates, etc., etc., and I'm really starting to fall for her — and we finally have sex. She was good. We go for quite a long time, and at the end I ask her,"Would you like some water?" She says, "No, and by the way, I'm married." So, what do you say at that moment? I was like,"That's a no on the water?" I went out with her a few more times, and I knew people who knew her husband. I met him a few years later — and he knew all about it. Yeah, it was awkward. gy Celebrate the end of winter with the last event of Wild Winter Week- ends at the Detroit Zoo. Take the kids on a winter safari scavenger hunt (they can redeem their finds for a prize at the end) while experiencing the animals in their natural winter habitat. Face painting, animal arts and crafts and talks by the zoo's expert keepers are also on hand; hot cocoa and ice cream will be available to purchase. All activities are free with zoo admis- sion. 11 a.m.-3 p.m. Sarturday and Sunday, March 12-13. Detroit Zoological Park, W. 10 Mile Road, Royal Oak. (248) 541-5717; detroitzoo.org . DRAGON FEATHERS The Melikin family has been touring the country with their captivating and educational pup- pet presentations since 1963. On Sunday, March 20, it's the Detroit Institute of Arts'turn to get a taste of the Melikin Puppet Theatre's magic when it presents Dragon Feathers, a collection of legends, fables and history — including Ogden Nash's Custard the Dragon, Kenneth Grahame's Reluctant Dragon and Andrew Lang's Stan Bolovan and the Dragon — all hosted by the wizard Merlin, the world's foremost authority on dragons. A lucky few members of the audience will be chosen to join the puppets onstage for an authentic Chinese Dragon Dance. Dragon Feathers is at 2 p.m. in the DIA Lecture Hall Stay after the performance for the DIA's other Family Sundays offer- ings: Create a simple kite and learn basic kite-flying safety tips (noon-4 p.m.) and join Drawing in the Galleries (for ages 6 and older, noon-4 p.m.) as artist-instructors lead participants in creating pencil drawings to take home. Detroit Institute of Arts, 5200 Woodward Ave., Detroit. (31 3) 833-7900; dia.org . — By Lynne Konstantin www.redthreadmagazine.com