Arts & Entertainment The Pursuits of Maira Kalman In 2011, it wouldn't hurt to take a cue from the brainy Israeli-born painter/writer/blogger as she explores modern life. Eric Herschthal New York Jewish Week W hen Barack Obama won the presidency Maira Kalman was thrilled. It was not only a fresh start for America, she thought, but one for her own work as well. The New York Times was looking for another assignment for Kalman after her wildly successful illustrated blog, "The Principles of Uncertainty' which document- ed her own life, debuted in 2006. "I was tired of talking about myself' said Kalman, who was born in Israel and raised in New York. "I never cared much about U.S. history' she admitted, but she thought Obama's his- toric campaign might change that. Plus, she added, "You can send me to any situation, and I'll extract something out of it. There's nothing I don't find interesting:' The Times took her up on it, paying for her trips across America to places like a mili- tary base in Kentucky Thomas Jefferson's Monticello, Lincoln's home in Springfield, Ill., and the White House. The result was "And the Pursuit of Happiness',' a monthly blog of her irreverent, whimsical paintings that gave the artisfs impression of democracy, with commentary. Her yearlong investigation into democracy and how it works was compiled for her recently released new book, also called And the Pursuit of Happiness (Penguin Press). "Almost everything she does is surpris- ing': said Mary Duenwald, the deputy editor of the New York Times Op-Ed pages, who worked with Kalman on the blog. "It became not so much about democracy as about her own musings about America" In an entry for the "And the Pursuit of Happiness" blog, Kalman gives a short tour of American history that begins in England with Thomas More. "In 1535, Sir Thomas More, the author of Utopia, a novel about a perfect society, had a disagreement with King Henry VIII. Maira Kalman in her studio Henry had him beheaded": one illustration reads, above a portrait of More. ("So much for a perfect society' it says beneath.) That is followed by a portrait of the Countess of Salisbury — also beheaded by Henry VIII — whose family fled to the New World. Next comes a portrait of Alexis Maira Kalman: Ruth Bader Ginsburg/ de Tocqueville (whose parents Robe, 2009 were almost beheaded), with a few words on Democracy in America That is how she's managed and town hall meetings; and, soon enough, to tackle contentious issues — we're in present-day Vermont, at a town hall American politics, Israel — and meeting in Newfane. stay clear of controversy. And it "Making art about history took me out of myself' Kalman said."It forced me to look at may also be a key insight into her craft. "I think you can make our country and see what's wonderful and the mistake of over-explaining difficult about it:' her," said the Times' Duenwald. "My father was in the underground, in Maira Kalman: Broken Chair in Tel Aviv, 2008 "She keeps things at a level the Irgun," said the Israeli-born Kalman. where the reader can take away "He was a huge Zionist." things in her own mind." Both of her parents immigrated to she said. Both her parents lost many relatives Which is to say that, despite the weighty Palestine in the 1930s. The family moved to in the war, and that legacy has lent her work subjects Kalman often illustrates, she is Riverdale, N.Y., in 1954, when Kalman was its unmistakable tenderness. rarely didactic. Nor is she superficial. To the just 4, so her father could expand his dia- "What distinguishes her work is that it is contrary: Fans often note how lightly she mond business in New York, she said. beautiful, but that it also has something to wears her erudition. (Check out how her But by the time she went to college, to say' said Francoise Mouly, the art editor at paintings enliven an illustrated version of study literature at New York University, her the New Yorker (and wife of comics artist Art William Strunk Jr. and E.B. White's classic parents had moved back to Tel Aviv. Spiegelman), which has published Kalman's writers' guide, The Elements of Style.) "My life was here, very much so',' she said. work for more than 15 years. Still, Israel is part of her makeup, too. She Undoubtedly best known is the "New keeps an apartment in Tel Aviv and even Art - World Star Yorkistan" cover, published three months Commenting on her own art-making pro- wrote a short illustrated blog about the city after 9-11. Kalman collaborated on the cover cess, Kalman said that she is a voracious for the online magazine Tablet in 2008. with Rick Meyerowitz, a fellow illustrator reader who does extensive research before Titled "My Tel AviV,' the series begins with who is now her boyfriend. she starts painting. But once she begins, she a painting of a chalk-colored statue in a for- That illustration came about, Kalman lets her mind wander. mal British-style garden, with the words, "It recalled, while she and Meyerowitz were "It makes me seem like an octopus' she is not England," written above. driving to a party in the Bronx shortly after "Buf' — begins the next illustration — "it said, describing how her mind pulls from the United States invaded Afghanistan. various sources and multiple directions, has a bookstore and a cafe every two feet. "Everyone was talking about how tribal And modern people reading books and writ- often at once. [Afghanistan] was, and we were overwhelmed Then she gets serious. ing books. And eating pistachio cake' by the tribal names in the Bronx no one's ever "There's a vulnerability, an awareness that Behind the text, an intellectual-looking heard about': Kalman said. It would make a woman in glasses does just that, with a green things are terribly fragile but also so beauti- great New Yorker cartoon, they thought. ful," she said. dessert and thick brown book at her table. The result was a map of the city's five bor- That sensibility probably has something When it comes to Israeli politics, she says, oughs, with dozens of neighborhoods given to do with the Holocaust, which her father "I don't look at the big picture; I look at the talked about often while she was growing up, exotic-sounding names: the Upper West Side daily lifer Maira Kalman on page 35 December 30 • 2010 33