Arts & Entertainment A Comedic Riff On Not Fitting In Schmucks director Jay Roach redefines the term. Naomi Pfefferman Jewish Journal of Greater L.A. I love fear as a motor for comedy," director Jay Roach said. "The night- mare of becoming the architect of your own humiliation rings true to me." This propensity for self-doubt isn't what one might expect from Roach, 53, one of the top comedy directors in Hollywood, who has collaborated with Mike Myers and Ben Stiller to create the Austin Powers and Meet the Parents franchises, and whose Dinner for Schmucks, starring Paul Rudd and Steve Carell, opens July 30. Yet, at the Beverly Hilton in L.A. recently, Roach said he relates to the anxiety and "identity crises" experienced by some of his own characters. As evidence, he cited the scene from Annie Hall in which the iconicly Jewish Woody Allen imagines himself as a Chasid in the eyes of his lover's WASPy family: "I was the reverse of Woody Allen in Annie Hall," Roach said.A convert to Judaism, he was raised Southern Baptist in Albuquerque, N.M., where his father worked for the military, and two of his regular child- hood activities were hunting and fishing. Roach remembers being at dinner with the erudite Jewish family of his future wife, Susanna Hoffs of the rock group the Bangles: "I imagined them looking at me, and I had a coonskin cap on — the hick WASP. I just didn't think I was qualified for their level of sophistication," he said. Roach need not have worried — his future in-laws were as accepting as Stiller's were critical in Meet the Parents. Yet he felt like a "total misfit!' "I loved my wife, and I really loved her family, and so I wanted to impress them. I always was coming up with jokes, or dig- ging up knowledge about psychology and just overcompensating.... My father-in-law is a shrink, absolutely the least judgmental guy of all time." Dinner for Schmucks is a different kind of riff on not fitting in. Inspired by French director Francis Veber's Le Diner de Cons (which roughly translates as "Dinner for Bloody Idiots"), Roach's adaptation revolves around an ambitious financial analyst, Tim (Rudd), whose promotion hinges on partic- ipating in a cruel game: his boss' "dinner for idiots." Each guest is required to invite the stupidest person he can find for an evening of subtle ridicule; initially Tim's conscience kicks in."That's messed up," he says. But then he chances to meet an eccentric amateur taxidermist, Barry (Carell), who seems too perfect a dunce to pass up. As Barry proceeds to wreak havoc on Tim's life — and reveals an underlying sweet nature — Tim is thrown into a dilemma about whether to go through with the nefarious dinner. "He is having that iden- tity panic," Roach said. "He could get com- pletely caught up in his materialistic goals or get in touch with his better self The moral crisis at the heart of Dinner for Schmucks came off as the inspiration for its surprising title, as the comedy is the first major studio title to feature that tradition- ally naughty Yiddish word. Billboards with the phrase "Get Schmucked" have been placed all over Los Angeles, including sig- nificantly Jewish areas. Rudd, who is the son of Steve Carell and Paul Rudd in Dinner for Schmucks. British Jews, acknowledged that "schmuck" means "penis" in the Rangers, his producer kept trying to fix mamaloshen (literally, mother tongue): "I him up with Hoffs. know there are some people who might "I was not interested in meeting her, [have taken] offense," he said of remarks actually. I felt it was a joke, like, 'Why are in the blogosphere, but it wouldn't even you punking me?"' he said. "She was a have crossed my mind that somebody rock star and, at the time, I was driving might find this offensive." His own grand- this 1973 VW van that would catch on fire father used to call him "schmuck" or a if I didn't drive it at the right speed, and "putz," he said. "But it seems to me that I had no money." Finally, Roach was per- most people use the word nowadays in suaded to attend a gathering that included the sense of 'Don't be a fool' or 'Don't be a Hoffs; he arrived before the allotted hour jerk' — as in, 'Stop acting like a schmuck!" because, as he put it, "I'm a worrier," and Roach said the title works because of found that Hoffs, too, was early because schmuck's more casual meaning of "jerk" she also tended to eschew being late. or "idiot," which could refer to each of Roach converted to Judaism before their the protagonists at different points in the wedding in 1993 at Sephardic Temple movie. "The question becomes, "Who Tifereth Israel; the marriage ceremony was really is the 'schmuck'?" he said. officiated by Hoff's grandfather and uncle, This, too, was the premise of the original both rabbis. "I took it seriously,' he said of French film, in which Veber, who is half his conversion studies. "I found it so moving Armenian and half Jewish, skewers the snob- and meaningful." (The couple's two children, bishness of his wealthy characters and pro- now 11 and 15, are being raised Jewish.) motes a revenge of the downtrodden ones. "There is something about my wife's Roach also has an affinity for the approach to life that I related to: being underdog. "I was not in any stretch of vigilant, which comes from pre-visualizing the imagination smart enough to go to disaster almost all the time," he added Stanford — I always assumed I got in on with a laugh. "I think that's universal some kind of regional affirmative action," — we're all in this pickle — but I think he said of his undergraduate years. "But, one of the great things about my wife, and again, I just overcompensated and found a Jews in general, is that there's more open- way, at first, to just survive, and eventually ness about it; it's vocalized more." _I I did sort of thrive there!' Roach had completed USC's graduate Dinner for Schmucks opens Friday, film program when, while working at July 30. his first television writing job on Space e v ws Nate Bloom Mil I C Special to the Jewish News New Flick Agora, an epic historical film directed ‘110 by Alejandro Amenabar (The Sea UM Inside) set in fourth-century Egypt e l where Roman rule is tottering and religious feuds in the city of Alexandria threaten to destroy the city's famous library, the world's greatest repository of ancient learning, stars Rachel Weisz, 40, as the brilliant and beautiful Hypatia, an astronomer. Rachel Weisz She leads a group 48 July 2J-; 2010 of disciples as they fight to save the library while trapped behind its high walls. Among these disciples are two men competing for her heart: the witty, privileged Orestes (Oscar Isaac) and Davus (Max Minghella), Hypatia's young slave. The film opens Friday, July 30. Tube Notes Kevin Pollak, 52, Kevin Pollak stars in his own one- hour standup comedy special on Showtime 11 p.m. Thursday, July 29. Pollak, who has acted in many mov- ies and TV shows, began his career as a quite funny standup comic and spot-on impressionist. He's famous for doing a great and quite funny impression of William Shatner. Speaking of Shatner, he doesn't Shatner seem to be slow- ing down at age 79. On Monday, Aug. 2, his new Bio cable series, Aftermath with William Shatner, premieres at 10 p.m. It takes an in-depth look at what happens when people are tragi- cally or infamously transformed from unknown citizens into household names overnight. William Peitz Update Early this month, I noted that newcomer Nicola Peitz, 15, the co-star of the sci/fi film The Last Airbender, might be the daughter of Jewish billionaire Nelson Peitz. Nicola just confirmed to an inter- viewer that Nelson, the CEO of the Wendy's/Arby's group, is her father. While other sources make it clear that Nicola's mother, Claudia, was not born Jewish, she may be a Jew-by- choice — a New York Reform syna- gogue lists Nelson and Claudia as members. It seems clear that Nicola was raised Jewish. Li