Arts & Entertainment Southern Inhospitality PBS documentary revisits story of Leo Frank. Michael Fox Special to the Jewish News M ore than 90 years later, the Leo Frank case is still a touchy topic in the capital of the South. The ugly saga of the Jewish pencil- factory superintendent who endured sev- eral miscarriages of justice is not a subject for polite conversation. "When I was doing research, the only resistance we got was from Jews of a cer- tain generation in Atlanta," recalls writer- director-producer Ben LoetermanAnd this was after receiving a major produc- tion grant from the National Endowment for the Humanities, which endows a cer- tain Good Housekeeping Seal of approval as being an important story to tell." The experienced, Boston-based produc- er of numerous Frontline and American Experience programs understood their reluctance, but he was not to be denied. "What I love about history," he says, "is our ability to learn from it and our obliga- tion to look at it." In 1913, Frank (a New York transplant, which proved crucial) was arrested for the grisly murder of a 13-year-old employee, Mary Phagan, in the factory basement. He was convicted with the testimony of a well-coached African-American witness and sentenced to death. After two years in jail and 13 rejected appeals, the governor did his own investigation and commuted the sentence. But that was not the end of Frank's suffering. Drawing on trial transcripts, newspaper - accounts, Steve Olney's 2003 book and contemporary interviews with descen- dants of many of the principal figures, Loeterman has crafted a deliberate, even- handed and ultimately disturbing film that sweeps the dust off an uncomfortably relevant slice of American history. The filmmaker discovered that many Jewish families, including that of the late historian and Librarian of Congress Daniel Boorstin, moved out of Atlanta imme- diately after the nasty end to the Frank saga. Those who stayed craved a return to normalcy, and rarely if ever mentioned the dark period to their children. In fact, Atlanta native and future playwright Alfred Uhry didn't learn about Leo Frank until he went off to college at Cornell. "It was so painful, frankly, that it was swept under the rug and it was kept there tightly and successfully for generations," Loeterman says. "[Windows] were bro- ken and storefronts were painted — it was a mini-Kristallnacht. That whole proud notion of being Southern and Confederates and Jews was called into question. Those three used to go along happily together." The People v. Leo Frank includes a men- tion of the case's role in fueling the revival of the Ku Klux Klan as well as focusing the efforts of the young Anti-Defamation League. But larger forces were involved that go beyond the scope of the Leo Frank: Victim of a lynch Mary Phagan was a child case and the mob. laborer in a pencil factory film. supervised by Frank, who was "There is a sense of Jewish mythol- accused of the crime. ogy that attaches to the Leo Frank case Loeterman notes. "I didn't want to over- Loeterman was born in Los Angeles play it. The film is a piece of journalism and moved to Boston more than 20 years and history, not a piece of advocacy, and I ago to pursue a career in public television. didn't want that confused." His son works in the office of Rep. Barney The fact is, Loeterman explains, the Frank, D-N.Y., and his college-age daugh- ADL was not founded as a result of the ter just moved to Israel. His films typically Leo Frank case. "It was started years spotlight an injustice, and he chuckles before in Chicago as a kind of not terribly when he's asked if The People v. Leo Frank effective organization responding to the is his first Jewish-themed film. winds of change sweeping globally. What "That's a Socratic question or a became clear [in my research] was that Portnoyian question. I think in some way this nascent organization suddenly had a all my films are Jewish. We are who we are. raison d'etre, a lightning rod" in the Frank I made a film [The Triumph of Evil] that episode. was a major turning point in my career In The People v. Leo Frank, descendants about the genocide in Rwanda, which of one of the prosecutors and other key began with footage of Elie Wiesel and Bill figures visibly struggle with the legacy Clinton lighting the torch at the Holocaust they inherited. "They were brave to speak museum in Washington, D.C." on camera," Loeterman says. "They were He pauses, and adds, "If you work in the not easy interviews to get or to do. It area of social justice and human rights, seemed to me a moment of truth and rec- how can that not touch you as a Jew?" D. onciliation that made it the right moment to tell the story and the right moment The People v. Leo Frank airs 10 p.m. to catch people when they're vulnerable Monday, Dec. 21, on Detroit Public enough, and empowered enough, to talk Television-Channel 56. about it." w s 41111 Nate Bloom • IMO I Special to the Jewish News n Hoping For Harry 44 December 17 • 2009 i oh On Thursday, Dec. 17, at 8 p.m., Il lar NBC will air a two-hour special, SNL was is Christmas 2009, a compilation show MO of the best holiday skits since the tail show began in 1974. It's pretty likely two Chanukah- themed classics will be included. The first is Adam Sandler's "Chanukah Song." (Actually, Sandler Adam Sandler appeared three times on SNL to sing three different versions of the song.) The other is "When Hanukkah Harry Saved Christmas," a very funny sketch starring Jon Lovitz in the title role. The basic plot: Harry normally just delivers Chanukah presents to Jewish kids; but when Santa gets sick on Jon Lovitz Christmas Eve, his Jewish friend Harry steps in to save the holiday for "all the little gentile boys and girls." Harry drives a fly- ing cart pulled by three donkeys. The donkeys wear blankets with their names on them, which also are mentioned in the very funny "Harry" theme song played during the skit. Here are the lyrics: "On Moishe! On Herschel! On Schlomo! / It's Hanukkah Harry eight nights a year! / On Moishe! On Herschel! On Schlomo! / Means that Hanukkah Harry is here! / Delivering toys / For Jewish girls and Jewish boys / We dance the hora around the menorah / When Hanukkah Harry is here!" Film Notes Avatar, opening Friday, Dec. 18, is the latest big-budget, special effects spec- tacular from direc- tor James Cameron (Titanic, Aliens, Stephen Lang Terminator). Set in the future, the complex plot has Earth humans – genetically engineered to live on a planet called Avatar – invading Avatar and displac- ing the native, more primitive people. Jake, a former U.S. Marine, starts off as an invader but falls in love with an alien girl and helps lead her people's resistance. Jake's main antagonist is Col. Miles Quartrich, played by Stephen Lang, 57. It's a rare event, today, to see a new romantic comedy featuring a middle- aged couple. But Hugh Grant, 49, and Sarah Jessica Sarah Jessica Parker, 45, both Parker have enough star power to get a studio to make their new flick, Did You Hear About the Morgans? The film opens on Dec.18. Meryl and Paul Morgan (Parker and Grant) are an almost perfect Manhattan couple whose marriage is dissolving. Then they witness a murder, and the Feds whisk them away to a small Wyoming town for their own protection. The question is whether the Morgans can rekindle their romance in their slowed-down, Blackberry-free Wyoming existence. E