Arts & Entertainment RESTAURANT Exile To Hollywood PBS doc distills path of Jewish filmmakers from Europe to U.S. Receive 10%Off Total Food Bill Dine-In only. Not valid with Specials. Not valid with any other offers. With coupon. Expires 2/15/09 Michael Fox Special to the I JN FULL BAR FULL SERVICE CATERINC. I MS Eli MN MI NMI NMI OM III ssi■g■tiaxass.r, I I I I • NEW Light Menu... Lower Price MN MIK NMI IMMII Valid Jan. 2-15, 2009 20% OFF Every Day !! After 4 PM All Day SAT & SUN 20% Off For Two People Minimum Check $25 or more, After 4 PM Or Minimum $15 for Two Before 4 PM Sat & Sun. Dine-In Only. Excludes Daily Specials & Other Discount Offers. Must Present Coupon to Receive Discount I. MI MI ■ • I 4 GOURMET DINER r I 71111r. hi/fl uted Here 7 1 1fa rr Ibr Deter" iorgws THE NEW INN MI r II II II II II II II MIN ■ I 181 •• MIN - INNIS Valid Jan. 16-31, 2009 20% OFF I Every Day !! After 4 PM All Day SAT & SUN 20% Off For Two People Minimum Check $25 or more, After 4 PM Or Minimum 515 for Two Before 4 PM Sat & Sun. Dine-In Only. Excludes Daily Specials & Other Discount Offers. ' I Must Present Coupon to Receive Discount MI I ■ I NMI III Located in Sugar Tree Orchard Lake Road Just North of Maple Road (248) 737-3636 Open Daily 8 Am til 9 PM Open Saturday and Sunday at 8:30 Close Friday and Saturday at 10 PM Carry Out and Catering Available Ns www.GiorgiosGourmetDiner.Com MB MN Ell in Ell 1451320 j . AMU= III IIIIIII *All our dinners are served with soup, salad and dessert ero s Li restaurant , Du Div1-7 - 717 unt not good on breakfast & senior specials u includes soup or salad and dessert ALWAYS 1O °% Dine in only DISCOUNT TO ALL SENIORS* MON–FRi NOW SERVING SENIOR WHITE FISH AND LAMBCHOPS $799* Complete dinner 29221 Northwestern Hwy — Southfield • 248-358-2353 B8 6 0 2 4301 OR gi am Jewish News January 1 • 2009 f you've never heard of Ernst Lubitsch or Peter Lorre or Billy Wilder — or didn't know these movie greats were Jewish — the PBS documentary Cinema's Exiles: From Hitler to Hollywood revisits the period in world and movie history when some 800 Jewish film artists fled Europe and attempted to continue or forge their careers in America. As far back as the mid-1920s, when the German director Ernst Lubitsch and the Hungarian Michael Curtiz came to America, Hollywood wel- comed new talent from Europe. The pace of Jewish immigration picked up, of course, after Hitler came to power in 1933. The typical refugee path ran from Berlin to Paris, where some filmmak- ers found steady work until the war began, to London, New York and, ulti- mately, Los Angeles. Some of the Jews who emigrated were leading lights of the German cin- ema, including director Joe May and actor Peter Lorre. Others, like writer and aspiring director Henry Koster and cameraman Fred Zinneman, were just starting out. Cinema's Exiles doesn't explore the question of whether the Jewish artists who fled were unusually cognizant of the Nazis' plans, or were simply for- tunate enough to have cash in pocket and contacts in America. However, the film business was one of the first that the Nazis purged of Jews, depriving people of their livelihood and sending a chilling signal. Once in America, the refugees had to deal with learning a new language and customs and adapting to the American studio system. We can scarcely imagine the shock of trad- ing the cultured life of Berlin for Hollywood's pool society. Unfortunately, like so much else in this two-hour film, the picture we get is a sketchy overview drawn from numerous experiences. There would seem to be ample time to devote 10 minutes here and 10 minutes there to focusing on one person or family's story, making for a richer, more inti- mate experience. Indeed there would Publicity still of Billy Wilder for Sunset Boulevard be, if the filmmakers hadn't included chunks of Curtiz's Casablanca and The Adventures of Robin Hood, Lubitsch's Ninotchka and To Be Or Not to Be, Zinneman's High Noon, Wilder's Double Indemnity, Fritz Lang's The Big Heat, and others. The clips are utilized to draw paral- lels between the artists' experiences and politics — in the 1938 Robin Hood sequence, Errol Flynn rallies his allies in the forest to fight a dictatorial king — with varying effectiveness. Cinema's Exiles continues beyond the war years and the Holocaust (which claimed family and friends of practically every Jewish refugee in Hollywood). Director Robert Siodmak's application of German Expressionist techniques laid the groundwork for film noir, while writer-cum-director Wilder parlayed triumphs like Some Like It Hot into a 35-year Hollywood career. ❑ Cinema's Exiles: From Hitler to Hollywood, airs 9:30 p.m. Thursday, Jan.1, on Michigan Television-WFUM with repeats Jan. 2 at 2:30 a.m. and Jan. 3 at 3 a.m. It airs midnight Saturday, Jan. 3, on Detroit Public Television-WTVS.