Rest- am:alit ltakm Cuistit, 248.476.0044 Orchestra conducted by George Szell, he was stricken with focal dystonia, a condition that left him without the full use of his right hand. The neurological illness, which took hold in 1965, has met with success- ful treatment only in recent years. He celebrated his restored abilities with the recording Two Hands and was the subject of an Oscar-nominated docu- mentary of the same title. "When I finished a period of melan- choly and whining [after first encoun- tering the problems with my hand], I realized my connection was to music, not exclusively to being a two-handed player;' says Fleisher, who now is treated with periodic Botox injections and deep tissue massage. "Once I came to that realization, I was able to find other ways to relate to music — through conducting, expanded teaching and examining the left-hand repertoire." As a conductor, Fleisher founded the Theatre Chamber Players at the Kennedy Center in 1967 and became music director of the Annapolis Symphony in 1970. He soon made his New York conducting debut at the "Mostly Mozart Festival" and was named associate conductor of the Baltimore Symphony. Fleisher's teaching skills, influ- enced by the intense early instruc- tion he received from Artur Schnabel, have been applied at the Peabody Conservatory of Music in Baltimore, Curtis Institute of Music in Philadelphia and the Royal Conservatory of Music in Toronto. He also has given instruction internation- ally through his work at festivals and during master classes that have taken him to Jerusalem, Paris and Madrid among many other cities. The musician's performances strict- ly with the left hand have included Concerto for Two Pianos Left Hand composed by William Bolcom, a University of Michigan professor who knew that Fleisher would be working with Gary Graffman, another instru- mentalist coping with infirmities of the right hand. Fleisher's religious outlook did not inspire his strength in finding various ways to express his musical interests, all the while trying different and dif- ficult medical procedures. "My spirituality emanates perhaps less from organized religion and more from, in a very real sense, the music with which Hive Fleisher explains. "Even though I'm not a strict, practic- ing Jew, I feel myself very strongly to be a Jew. It's my heritage, and it's in my blood:" Fleisher's musical devotion is shared with family. His third wife, pianist Katherine Jacobson-Fleisher, appears with him in concert and recently worked with him on a recording. Four of his five children have music careers — three of them are harpists (one of whom also is a physical therapist) and one a jazz singer-composer. The fifth is a medical anthropologist. "It was fun making the record- ing with my wife, and I hope we will have time to bring it out by the first of the year:' says the pianist-conduc- tor-teacher, whose early recordings recently have been released in digital format. Fleisher, who wore a peace symbol around his neck while attending the Kennedy Center events, intently keeps track of presidential politics and anticipates the election that will take place shortly after he leaves Detroit. The musician has helped with the Obama campaign. "A few weeks ago in Maryland, where I live, I called two of my good friends and colleagues, Yo-Yo Ma and Itzhak Perlman, and asked them to join me in a fundraiser in the house of a dear friend, Bob Meyerhoff' Fleisher says. "Bob has the greatest private collec- tion of contemporary American art, which is kept in three enormous pavil- ions attached to his house in suburban Baltimore. They accepted immediately, and we priced tickets very high. We raised more than $1 million." After the election, Fleisher heads out to November concerts in London, Brussels and Lucerne but wants Detroiters to know they are lucky to have the continuing attention of Leonard Slatkin, a colleague selected as the new DSO musical director. "Leonard is an extraordinarily gifted person interested in the entire repertoire Fleisher explains. "He has built orchestras with much enthusi- asm and discipline, and he talks to the public." ❑ Leon Fleisher performs Oct. 30-Nov. 2 at Orchestra Hall in the Max M. Fisher Music Center, 3711 Woodward, in Detroit. Performances are 8 p.m. Thursday and Friday, 8:30 p.m. Saturday and 3 p.m. Sunday, Oct. 30-Nov. 2. $19-$119. (313) 576- 5111 or www.detroitsymphony. 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