Editorials are posted and archived on JNonline.us . Dry Bones Editorial A Playful JET Stream p rofessional Jewish theater compa- nies that survive 20 years are more the exception than the rule. But count JET among the survivors — and the Detroit Jewish community is the richer for it. JET certainly has strong theatrical genes: It's the longest continuously running Jewish the- ater in North America, chalking up 100-plus dramas, comedies, musicals and traveling performances along the spotlighted way. The brainchild of founding artistic direc- tor Evelyn Orbach, the Jewish Ensemble Theatre is one of Jewish Detroit's cultural gems. While catering to the Jewish commu- nity, the productions have stood the test of time as just plain good theater. JET'S 20th anniversary is a testimonial to Orbach's scrappy determination, Pied Piperish magnetism and utter refusal to fail. In her mind, there was no way a culturally appreciative Jewish community like Detroit would deprive itself of cutting-edge profes- sional theater that would test the margins but never waver in striving for excellence. Orbach talks with a touch of melancholy in reflecting on JET'S determination and sup- port. "In the beginning; she told the JN,"it was quite a struggle. I had people who would not help because they said we couldn't make it work. Then there were people who got very excited about the idea. Fortunately, there were people who helped us a great deal." Over the years, JET has soared with many stage triumphs and fallen hard with oth- ers. Musicals have never quite been its best product. Drama has a grip on that although comedy has offered quality variety. JET has received 200 nominations from four newspapers for theatrical excellence. Awards have come for best play, best season, best original musical score, best actor, best director and best scenic design among oth- ers. JET has produced nine world premieres and dozens of Michigan premieres. It has brought international actors to Michigan. It has hosted two Association of Jewish Theatre conferences. It has introduced Thursday- night question-and-answer sessions after performances; opening-night wine-and- cheese receptions; and a New Year's Eve post-performance party. JET'S educational outreach programs, begun in 1995, include an annual production of The Diary of Anne Frank as well as original plays, commis- sioned by JET, that tackle tough issues like bullying, tolerance, diversity and humanity. Thus far, 600,000 students have taken part. At times, art also has imitated life. In 2001, after the 9-11 Al Qaida attacks on America, the theater began production of Romeo and Juliet with Arabs and Jews, setting ALL OF ISRAEL'S POLITICAL PARTIES WERE A UNIQUE Shakespeare's play in Jerusalem in 1920 under the British Mandate. In conjunc- tion with the produc- tion, JET started a "stop hate" campaign and invited other organizations to join in. JET'S $750,000 budget is a per- petual challenge. Ticket sales generate just 50 percent of JET'S actual costs, which include the rising price of gaso- line for the vehicles that transport the traveling perform- ers to school stages. Patrons and sponsors have been a godsend. Older folks love the JET and are its most- loyal audience. Attracting younger ticket buy- ers, who have so many other lures like mov- ies, bar nights, young-adult events, sports and Royal Oak, is a never-ending pursuit. Evelyn Orbach's dreams for JET include a larger, new theater to replace its venerable (- ME NEW POLITICS BLEND OF IDEOLOGY AND BLIND 1.1tAGER FOR POWER. -\ www.drybonesblog.com but limited home in the West Bloomfield JCC and a substantial endowment to assure JET'S funding from year to year. We hope she's thinking about an able line of succession as well; she deserves to slow down a bit while securing the theater's artistic future. Happy anniversary, JET. Here's to count- less more curtain calls! ❑ Reality Check Please Forgive Me L et me say right off the bat that I'm really sorry. There, that's out of the way. I'm not sure yet what I'm apologizing for, but somewhere along the way I'm sure I've offended someone. Or will in the very near future. So I'll join the crowd and just issue a blanket apology. For instance, TV sports reporter Bonnie Bernstein, appearing on ESPN Radio last summer, expressed her surprise to learn that a Palestinian youth aspired to play professional basketball. "I remember a while ago;' she said, "I was reading an article in the New York Times about Palestinian suicide bomb- ers and I just remember being struck by the notion that from the point of birth, people in Palestine are taught to think that dying in the name of God is a good thing. "They grow up wanting to be suicide bombers. So bringing it back to sports — and again, I'm not making the corn- parison or the analogy — if a young, tal- ented basketball player is being told at an early age that they are destined, it is a good thing to focus on basketball and not worry about what's going on in the classroom." Haven't we been told for years that young Palestinians are taught in school from an early age to hate Israel and that martyrdom is an admirable goal? Maybe Bernstein's com- parison was a bit rough, but not that far a stretch. Of course, all the Arab pressure groups hit the ceiling and Bernstein had to apolo- gize. But when people find the truth offen- sive, I've always regarded it as their prob- lem, not the reporter's. That was nothing compared to another ESPN writer, Jemele Hill, who formerly worked for the Detroit Free Press. She was suspended for writing that rooting for the Boston Celtics was like rooting for Hitler. I wouldn't go that far. I'd say rooting for the New York Yankees was like rooting for Hitler and save the Celtics for the likes of Mussolini. But if you are a sports fan in Detroit, as Jemele is, can't you imagine saying some- thing like that in an e-mail to friends? In fact, I probably have. My reaction was that a suspension was more than a bit silly and if Celtics fans were offended, hard cheese. I take a lot more seriously Patrick Buchanan's new book, Churchill, Hitler and the Unnecessary War. It portrays Churchill as the bad guy and Hitler as a misunderstood little fellow who just wanted to be friends with England. According to the Wall Street Journal, Sean Hannity is highly enthusiastic about this masterpiece. Buchanan (and I deeply apologize to any Nazis among my readership) is a Jew-baiter from way back and Hannity is simply an ignoramus who gets to be on television. I don't expect that they will be suspend- ed or forced into apologies anytime soon, although their ridiculous rewriting of his- tory is far more offensive than anything Hill might have said. I did promise myself, however, that I would not make any more smarmy remarks about the Detroit Lions and just not watch any more of their games. Then I realized the next one comes between the High Holidays, when it is appropriate to visit the dead. So I guess I'll have to go back on that vow. So let's all say we're sorry and go stand in the corner. And if I've just offended anyone who is deeply committed to the concept of circular architecture, I can only say ... No, I better not. ❑ George Cantor's e-mail address is gcantor614@ao1.com. Di October 2 • 2008 A43