Anat Cohen: "Mtisig: Ticket Office' 734.764.2538 • www.annarborstirnmerfestivalory has no gender," • :• La dy Of Jazz An d More lnstru mentalist Anat Cohen brings her talents to Temple Israel on Sunday. Suzanne Che ssler Special to the Jewish News g nat Cohen played clarinet and saxophone before notic- ing that not many females did. Cohen, raised in Israel and now living in New York, simply seemed to fall in line with family interests. She observed her mother as a music teacher. She watched her father play clarinet as a hobby. She tuned in to her older brother, Yuval, as he got serious with the sax on his way to building a concert career. Cohen, entranced by the instruments and the talents, soon found she could play by ear and enhanced her abilities with considerable schooling. As she was learning new skills, she connected with all types of music and eventually became a member of many groups, including her own. No matter how diverse the music and musicians, jazz was always at the center and will be when the An at Cohen Quartet entertains at the Joh M. Haddow Annual Memorial Progr m in Jewish Culture 2:30 p.m. Sunday, June 22, at Temple Israel in West Bloomfield. The event, sponsored by the Cohn Haddow Center for Judaic Studies at Wayne State University, will include Israeli and world music while calling attention to the instrumental- ist's original pieces and recent Poetica recording. "I was too young to know that these instruments were not associated with women," explains the 30ish Cohen, who also performs regularly with Yuval and her younger brother Avishai, a trumpet player, in the trio 3Cohens. "I believe that music has no gender and I've never thought of myself as a woman entering jazz in a male-domi- nant field. I still don't think about it that way when I make music" At Temple Israel, Cohen will be joined by Jason Lindner on piano, Daniel Freedman on drums and Ben Street on bass. "I really enjoy playing in a group because that makes it a social event:' says Cohen, who studied at the Thelma Yellin High School for the Arts in Israel and the Berklee College of Music in Boston. "Music is a straight connection with the emotions. It can take you wherever you want to go. If you want to be happy, music can make you happy. If you want to be sad, music can make you sad:' Through her musical experiences in school and out, Cohen especially has connected with Latin beats. One song she wrote, "La Casa del Llano," builds on the rhythm of the meringue as she heard it in Venezuela. "I like Latin music because it's sen- sual and rhythmic and you can dance to it;' says Cohen, who began compos- ing simply by deciding it was time and sitting down at the keyboard to do so about 10 or 15 years ago. "You just feel Latin music." Cohen's newest quartet recording, Notes From the Village, comes out in September. "I just accept and love music;' says Cohen, who has worked with Brazooca, the Choro Ensemble, New York Samba Jazz, the Diva Jazz Orchestra and the Gully Low Jazz Band. "I wish people, m the same way, just could accept and re spect others." ❑ une BROADWAY I AMERICAN SONGBOOK Mandy Patinkin 4 kro,own for clothing out to an audience with the power and the passion of popular ori9.. H irtterpretations of popular Aamiardss from Rod r5 And Honmeraein, 5t Ken '50f34311iim, Harry Irving Olin and Co1e Porter come sera lg.ht from -the heart, mesmerizin9 audiencet, from coaa to cont, www,rna atink;n:or2 e Anat Cohen Quartet per- for ms 2:30 p.m. Sunday, June 22, at Temple Israel, 5725 Wal nut Lake Road, in West Bloo mfield. $25. (313) 577-2679. Ticket Office: 734.764.2538 • www.annarborsummerfestival.org ,IN June 19 2008 C5