FOLLOWING OVATIONS AROUND THE WORLD, THE BAND'S VISIT IS HERE! WINNER OF OVER 35 INTERNATIONAL FILM AWARDS WINNER WINNER WINNER ACADEMY AWARDS CANNES BEST DIRECTOR UN CERTAIN REGARD JURY COUP DE COEUR BEST PICTURE BEST SCREENPLAY Arts & F,ntertainmen BEST PICTURE AUDIENCE AWARD FILM FESTIVAL WARSAW FILM FESTIVAL ONE OF THE BEST FOREIGN FILMS OF THE YEAR NATIONAL BOARD OF REVIEW "A GLOBAL CHARMER! THE FILMMAKER MANEUVERS A PATH OF SURPRISING FRESHNESS." -Lisa Schwarzbaum, ENTERTAINMENT WEEKLY 'Water' Colorist approach Thursday evening, March 6, during a pre-exhibit lecture at the A FILM BY ERAN KOLIRIN PG-13 ,t,Z,',Ti`o, cs qt-K11103c; VVVVVV.SONYCLASSICS.COM SONY PICTURES CLASSICS' 83. 8.1,8%. ORERTM(8,-... NOW PLAYING' MAPLE ART " 4135 W. Maple Road - (248) 263-2111 CHECK THEATRE DIRECTORIES OR CALL FOR SHOWTIMES VIEW THE TRAILER AT WWW.THEBANDSVISITMOVIE.COM VXON G HU4 FINE CHINESE DINING Invites You To A wonderful adventure in fine dining" - Danny Raskin Featuring Gourmet Oriental Cuisine Excellent Lunch and Complete Dinner Selections Menu Carryout 7 Days a Week I I a.m.- • Joe Zucker: Schooner, 2002; acrylic on canvas and wood dip- tych box and lid. Gift Midnight Certificates Available • We Cater To Private Parties 27925 Orchard Lake Road, north of 12 Mile • Farmington Hills 248.489.2280 Artist Joe Zucker creatively uses paint in his large- scale conceptual constructions. Suzanne Chessler Special to the Jewish News Enjoy gracious dining amid a beautiful atmosphere of casual elegance BREAKFAST • LUNCH • DINNER MON. SAT. 7 a.m.- 9:30 p.m. SUN. 8 a.m.- 9 p.m. Bloomfield Plaza • 6638 Telegraph Road and Maple • 248-851-0313 OPEN 7 DAYS: C4 March 6 • 2008 - Joe Zucker is known in contemporary art circles for developing different painting processes and incorporating unusual materials. Some works result- ing from his innovation have been described as minimalist, but the artist prefers the term conceptual. Zucker, who will have about 10 varied projects on view March 7-April 19 at the Susanne Hilberry Gallery in Ferndale, discusses his artistic College for Creative Studies. His corn- ments become less formal the next evening, during the opening reception at the gallery. "See/Sea," the exhibit title, captures his frequent attention to the themes of water and vessel with one image depicting ships common to the Great Lakes. Everyday objects also fall into his range of interest and are part of the show. "There's a literal foundation for my work;' says Zucker, 66, explaining that he usually tries to avoid expressing emotions through his artistic output. "It's certainly not about developing a plastic painting style. It's about finding types of paintings that have something to say about specific ideas. "I'm attracted to water scenes because paint as a liquid reinforces the image. Sometimes, the paintings are involved in producing themselves, and they become tools as well as objects to see." One gallery-revealed example of the painting becoming the tool involves an image of a table and chairs in a crate. The paint was poured into the various shapes making up the illusion of a table or chair, and then the entire structure was tipped so that each seg- ment could get a different identity as the paint dried. "The painting became a reservoir for paint," Zucker explains. "Depending on how I angled the painting, it sort of painted itself." A related approach involves a large image of a canoe. Made of pegboard and plywood, the pegboard front is pressed into the paint on the plywood, and the color is extruded to create the image of the boat. In another technique, Zucker applies color by using scrolls rolled through paint instead of brushes. "Over the years, I've tried to give autonomous looks to my paintings," says Zucker, who works in a home studio in New York State and currently has a large-scale exhibit in Berlin. "I like working large because a lot of galleries are very large, and I have to be aware of the installation aspect