Sophie Milman: "[My] first album dealt with my youth spent migrating through different countries and cultures and the passion for jazz that helped see me through it." M Move over, Diana KraII. Russian-born, Israel-raised twentysomething enjoys blossoming career. Suzanne Chessler Special to the Jewish News I t's Not Easy) Bein' Green:' a song originally linked to Sesame Street's Kermit the Frog, gets an adult and very personal interpretation by Canadian singer Sophie Milman, a fresh voice on the international jazz scene. The song can be heard on her brand-new CD, Make Someone Happy, and often is performed when she takes the concert stage. A Michigan audience likely will hear her version Saturday evening, Nov. 10, when she appears at Andrews University in Berrien Springs. Milman's musical style, sophisticated and saucy, with a range from upbeat to dreamy, developed without any formal training. She improvised after listening to recordings of hit-making jazz artists, including Ella Fitzgerald and Peggy Lee. "Bein' Green' summarizes my entire life because I seemed to be the odd one says the singer, 24, whose family lived in Russia until she was 7 and then Israel until she was 16. "With the immigrations, I felt a lot of the time as if I was quite alone in the world and really didn't fit in anywhere. In Israel, I didn't fit in perfectly with the Russian commu- nity, nor did I fit in with the Israeli community. "When I got to Canada, I was a product of two cultures and still didn't relate fully to either one. I heard the song when I was an adult and felt that life had me charting my own course. The other songs on the CD also have strong personal meanings for Milman and show- case her ability to switch rhythms and timing. "Make Someone Happy," the title song of the August-released CD, was chosen because it has to do with her trying to keep family, friends and fans happy amid the rush of mul- tiplying bookings in distant towns and countries. The love songs, such as a fast-paced "It Might As Well Be Spring" and playful "Matchmaker, Matchmaker;' relate to her falling in love for the first time, with Canadian attorney Casey Chisick to whom she was intro- duced by a band member. "Eli, Eli, my Israeli song, connects to my years in Israel," explains Milman, whose English skills barely hint at her background mastering other languages. "I'm a big advo- cate and supporter of Israel, and I felt that I had to sing an Israeli song to draw attention to that. "I chose that song because I associate it with peaceful Israel, not the heroic war songs which are very familiar to me. This song shows the nature of Israelis as I see it." The vocalist's career launched during the summer between high school and college. After only a few club performances, she was discovered by an executive of the Linus Entertainment label. "I took on the first record deal mostly out of curiosity:' explains the stage and record- ing artist, also at the center of the CD Live at the Winter Garden Theatre, recorded earlier this year and listed on the Canadian jazz charts for weeks. Her self-titled debut CD, Sophie Milman, recorded in 2004, has sold almost 100,000 copies worldwide, hit the Billboard Top 5 in Canada and the top 15 in the United States and was nominated for Canada's Juno Award for Vocal Jazz Album of the Year (the equiv- alent of the U.S. Grammy). Much media attention followed, including an article in Elle magazine and a segment Jazz Ingenue on page 54 August 30 • 2007 49