ItiPtkr* 44 * ANIIIIIPIWWw IOW Arts & Entertainment "A thoroughly delightful culinary experience." 111 Danny Raskin, July 'o7 The Patio Is Open! a SUNS ShifOgd bor Mu seu m o f Mo dern Ar t; g i ft of Mr. a n d Mrs. Ben M ildwo ff Retrospective from page 57 'A In the heart of downtown Plymouth dPPERIS fid ma , izze 38o S. Main Street' Plymouth 734.4 1 6.9340 www.fiammagrille.com • Open for dinner Monday - Satur ay Louise Nevelson: Sky Cathedral, 1958, wood construction painted black. Beginning June 1st Roll Back Menu Monday, Wednesday, Friday & Sunday! FAMILY OWNED SINCE 1939 OVER ONE HUNDRED MENU CHOICES WE SPECIALIZE IN PRIME STEAKS, CHOPS & SEAFOOD 248.373.4440 885 N. OPDYKE, AUBURN HILLS (1/2 58 MILE NORTH OF SILVERDOME) August 9 • 2007 cess go to her head. Though she was not an observant Jew, she remained a steady patron of her people. On loan from the Osaka City Museum of Modern Art in Japan is her hulking Holocaust memorial sculpture Homage to 6,000,000 I (1964), which dem- onstrates her forays into Minimalist art. Sixty slightly curved and stacked cubes, each filled with its own unique contents, and all painted black, illus- trate the artist's deep solemnity about the tragedy that befell her people. Also on display is a model of the white- boxed ark she built for Temple Beth-El in Great Neck, N.Y., in 1971. But the showstopper in the Jewish Museum's comprehensive exhibit is undoubtedly Mrs. N's Palace, which Nevelson began in 1964 and com- pleted in 1977 and is on loan from the Metropolitan Museum of Art. The enormous work — an all-black wood- en house, with an exterior "garden," an interior filled with king and queen figurines and a mirrored glass floor — encapsulates many of the strains in Nevelson's public and private life. The title of the work alludes to her mater- nal, convivial presence to the neighbor- ing children by her Spring Street home (where she was known as "Mrs. N"), while its structure knowingly gazes at her own mortality. Like an Egyptian monarch, Nevelson built a palatial tomb containing all she wished to take with her into the world to come. Walking around Mrs. N's Palace, peeking into its gothic, cavernous inte- rior and taking in its immense power, one can't help but wonder if her out- sized public persona was really a "lie" after all. More likely, the work seems a testament to the congruity of her pri- vate and public life. She owned her art, and her art owned her. "The Sculpture of Louise Nevelson: Constructing a Legend" runs through Sept.16 at the Jewish Museum, 1109 Fifth Avenue at 92nd Street, in New York City. Museum Hours are 11 a.m. to 5:45 p.m. Saturdays- Wednesdays; 11 a.m. to 8 p.m. Thursdays; closed Fridays. $12 adults, $10 senior citizens, $7.50 students; free on Saturdays. (212) 423-3271 or www.thejewishmuseum.org . Following its New York City showing, the exhibition will travel to San Francisco, where it will be on view at the Fine Arts Museums of San Francisco (the de Young Museum) from Oct. 27, 2007, through Jan.13, 2008.