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46

September 28 2006

"When you first look at a
Resnick painting, in a superficial
sense, it seems as if someone has
been wrestling with the paint,"
Dorfman says. "As you look at it
more closely, you see that there's
a sense of
Top to bottom:
entirety to it, a
sense of whole-
Milton Resnick:
ness.
The way
Redwood, 1958,
each
painting
oil on canvas
binds together
becomes fasci-
Milton Resnick:
nating because
Untitled, 1959,
you
can't figure
oil on linen
out
why
or how.
mounted to
It's
not
a
logical
board,
process."
Resnick's
Milton Resnick:
paintings,
WG, 1957, oil on
which have sold
canvas.
for as much as
$100,000, are in the collections of
the Metropolitan Museum of Art,
National Gallery of Art, the Walker
Art Center and many other pres-
tigious institutions, but the artist
was not aggressive in promoting
his projects. His associations with
well-known artists of the time,
including Jackson Pollock and
Willem de Kooning, brought atten
tion to his work, which became
part of the New York School.
"Milton was a remarkable
artist and human being with a
great story behind him," explains

,