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"The deceased are not
regarded with sadness
or seriousness. They're
brought back to the
world in a very joyous
manner. The idea mixes
ancient Aztec beliefs
with the Christian reli-
gion and conveys that
the dead, instead of
being gone, are just on
another plane of exis-
tence."
Recordare, which
debuted in 2005 with
music by Jewish com-
poser Elliot Goldenthal
(Frida), will be per-
formed during the
Sunday, Jan. 15, pro-
gram. The Cleveland
Plain Dealer said of
Lubovitch's choreogra-
phy: "[It] takes Limon's
organic movement lan-
guage into a new realm
of theatricality and
magical realism."
Lubovitch also will be Lar Lubovitch
represented with his
1986 piece Concerto Six
Lubovitch, raised in a Conservative
Twenty-Two, danced to the music of
Jewish home in Chicago, learned
Mozart, during the Friday, Jan. 13,
respect for the arts from his parents
performance. Created for the Centre
and studied at the University of Iowa
National de Danse Contemporain in
and Juilliard School in New York,
Angers, France, the work's chivalrous
where Limon was one of his teachers.
central duet for two men became a
Lubovitch made his Broadway
regular feature at AIDS benefits after
debut in 1987 with the musical stag-
it was performed at the Dancing for
ing for the Stephen Sondheim/James
Life benefit at Lincoln Center in
Lapine musical Into the Woods, for
1987. Mikhail Baryshnikov with his
which he received a Tony nomina-
White Oak Dance Project also toured
tion. In 1993, he choreographed
with it.
dance sequences for The Red Shoes.
His most recent Broadway project
Varied Career
was the revival of The King and I.
Lubovitch has created dances for
When he began doing choreogra-
many companies, including the
phy and couldn't find venues,
American Ballet Theatre, Royal
Lubovitch started his own company.
Danish Ballet and the Netherlands
"I stopped performing when I was
Dance Theater. He also developed a
in my 30s," recalls the choreographer,
klezmer program for a since-dis-
who also has developed ice dancing
banded troupe in Israel.
routines for Peggy Fleming, Dorothy
"I always was a dancer by nature
Hamill and a full cast of The Sleeping
and intuition, but I had been study-
Beauty. "The choreography was clear-
ing painting and drawing and went to
ly taking precedence.
college as an art major:' explains
"Trying to maintain myself as a
Lubovitch, who has performed in
dancer and choreographer had
Detroit. "I discovered dance in New
become a tremendous challenge, and
York, where seeing the Limon compa-
I didn't feel that doing both was
ny in movement art made me realize
going to allow either one to be func-
that dance had a powerful draw for
tioning at its top-most level."
me. I think of it as an expression of
Functioning as a choreographer,
great joy of the human spirit and the
with an emphasis on rhapsodic styles
highest manifestation of human
and formal structure, resulted in
endeavor and idealism."