Perfect _place before, after or just because... Arts & Entertainment Red Wings Games, all Theatre... We shuttle to & from Joe Louis, Fisher, Fox, Masonic Temple, Detroit Opera Theater... Life Retrospective Lobster Tuesdays 11 95 Whole Lobster served with redskins & corn on the cob! • Newly Renovated Inside and Out • Shuttle Service to all Major Venues • Our Specialties... "Filet and Chicken Piccata" • Ballroom Dancing every Friday & Saturday (313) 832-1616 4222 Second St. • Detroit Join Us Soon For Our Grand Opening Taste Fest! .•••"""-- Falafel House 4 11 to 141 Monday thru Saturday to 10 Sunday Falafel Plate The BEST Falafel this Side of the Mediterranean! . • Ice. Cream • Espresso • Wifi • Complimentary Freshly Baked Bread Call for information about, Catering • Party Trays • Whole Lamb • Delivery Tel: 248.855.6929 • Fax: 248.855.6959 wwvv.TheFalafelHouse.net 'INN MIN . NMI MIN MIN MIN OMB MIMI MUM I I 50 /. OFF 11.. WWI MOM EOM 111111 Your Next Visit! I Good till December 31st 2005 (With coupon, not in conjunction with any other offer) Elm mill• Nom are um nom Ems mem Ems =MP 1056420 54 December 8 • 2005 •IN Cranbrook Art Museum mounts comprehensive exhibit of the works of acclaimed artist Ruth Duckworth. I Suzanne Chessler Special to the Jewish News he story ofcreation always fas- cinated sculptor Ruth Duckworth, so she chose that subject for a stoneware mural commis- sioned by an -Indiana synagogue. Duckworth devised a spiral frame- work to communicate the continuing nature of creation, and she divided the form into seven sections to depict the week as described in Genesis. Blue dominates the colors because of the domination of sky and water in the environment. Animals loom larger than people because she sometimes finds that human beings can be more difficult to deal with than other forms of life. Models for the religious piece are on view at the Cranbrook Art Museum through Jan. 15. They are part of a tour- ing exhibit of 80 works titled "Ruth Duckworth, Modernist Sculptor" and appear with vessels, figure forms and abstract pieces both large and small. " "I cut Hebrew letters into the syna- gogue piece to convey God as resting on the seventh day of creation:' explains Duckworth, 86, who continues to accept new projects completed with assistants to do the heavy tasks. "Before I could work on the lettering, I had to learn Hebrew and went to a synagogue in Chicago for help. I also quote God in English, saying that He saw what He created was good." This exhibit is the first comprehen- sive retrospective of the artist, knoWn for her contem orar works in da bronze and stone. Many of the pieces are from her private collection and have never been exhibited before this tour, which started at the Museum of Arts & Design in New York.City and will end at the Smithsonian American Art Museum in Washington, D.C. Giving context to the works are pho- tographs of Duckworth's large-scale architectural murals and site-specific sculptures, a video documenting her life and a companion display of 21 works by others. "Ruth Duckworth Selects: Ceramics from the Collections of Cranbrook Art Museum and Cranbrook Institute of Science" showcases pieces from the per- manent holdings of both cultural cen- ters and were picked by the artist to reflect her own interests and influences. The companion exhibit will be on view through Dec. 30. Sculptural Focus "Each time the exhibit goes to a dif- ferent place with a different space, it's almost like a different exhibit;' explains Duckworth, who visited Cranbrook to lecture at the opening of the retrospec- tive spanning 60 years of her life. * "The evolution of the work partly depended on the commissions I had to do. The projects have become more sculptural. As I've been shrinking, my projects have been getting larger." Duckworth, born in Germany, escaped 'the Nazis when she was 17 by moving to England with her family. Her father, Edgar Windmuller, a Jewish attorney who did not practice his religion, had been born in Britain and was able to reinstate his citi- zenship in the 1930s. • The artist's early interests were in drawing, which she began as a sickly child needing bed rest in Hamburg. She took private lessons in Germany and expanded her skills at the Liverpool School of Art. Early on, the artist decided not to title her pieces because she thought that would limit the imag- ination of viewers. After 28 years of living and Ruth Duckworth in her studio in Chicago, 1987