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June 23, 2005 - Image 45

Resource type:
Text
Publication:
The Detroit Jewish News, 2005-06-23

Disclaimer: Computer generated plain text may have errors. Read more about this.

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Peter Riegert and Isabella Rosselini
play husband and wife in "King of
the Cornen"

Elkin, sent the book as a gift.
Riegert had been on the prowl for
material to direct and, hooked by the
title, he zoomed through the book,
phoned Shapiro immediately, and they
set about adapting the stories into a
screenplay.
Riegert, 58, allows that he was not
only attracted to the drama of ordinary
life but to the notion that Jewish identi-
ty and morality are present even in thor-
oughly assimilated Jews.
"I think what Gerry is getting at [is]
at the end of the day, good or bad,
you're a Jew," Riegert explains, on the
phone from New York. "But how reli-
gious a Jewish person is, even a devout
person asks that of themselves. You're
forever arguing with yourself and your
relationship with God — or not God."
Riegert notes that many Holocaust
survivors grappled with their faith, but
less momentous events can ignite an
internal debate. "I don't think you need
to go through that to have that wrestling
match," he says.
For his part, Riegert was raised in a

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But he's become a traveling Jew of
late, devoting a full eight months to self-
distributing King of the Corner. Like a
band touring to promote a new album,
Riegert is out on the road with his
movie. And he's likely to meet bad Jews
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King of the Corner opens at the
Maple Art Theater in Bloomfield
Township on Friday, June 24, and
Saturday, June 25, with a special
appearance by the film's co-writer,
director and star, Peter Riegert,
who will introduce the film at
each screening. For more informa-
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wise fool who does
regrets. His longtime
his best counseling at
companion Inez
the dog track.
(Rita Moreno) and
Shapiro and
Leo wryly agree, "If
Riegert
aren't inter-
he could have made
ested in satirizing
a living pissing peo-
organized Jewish reli-
ple off, he'd be a rich
gion — although
man."
Leo's earlier meeting
A man of no
with a funeral direc-
accomplishments,
Peter Riegert directorial debut mir-
tor, at Sol's insis-
Sol still has the edge
rors his own screen persona, which is
tence,
is savagely
on Leo because he
to say it unpretentious, self-deprecat-
funny
— but in
reinvented himself
ing and uncommonly decent,
upending cliches and
twice — when he
reveling in the
left Lithuania for
absurdities of everyday life.
America as a boy and years later when
King of the Corner, which moves at a
he moved to the desert after Leo's moth-
deliberate pace until a pivotal event
er died. Both of those took gumption,
upends Leo's world, achieves a definite
but what's Leo ever done?
momentum although it stops well short
Leo numbly tolerates Sol's kvetching,
of farce. In a sense its direction is back-
just as he hears Rachel's imprecations
ward, for Leo steadily regresses from
and the demands of his ambitious pro-
adulthood to adolescence.
tege (Jake Hoffman — Dustin's son —
Until, that is, he's on the verge of los-
playing a droll variation of Sammy
ing everything. Although Leo is not
Glick) with only one ear.
fully redeemed by the end of this
But his wake-up call arrives in the
mature
and rewarding film, he's discov-
form of a rabbi with the moniker of
ered what it is to be a good Jew. ❑
Evelyn Fink (Eric Bogosian), a kind of

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6/23
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45

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