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She said creating the muse- lowed, visitors confront enlarged urn has become a mission she and photographs of the aftermath of a her staff take very personally, and mass shooting of Jews. Pictures of sometimes it is hard to find distance. bodies lying in unrecognizable heaps Near the end of the museum, visi- are contrasted with tors reach the new photographs found in Hall of Names, the pockets of those where Yad same Jews, along with Vashem keeps some of their belong- information on ings. In one picture, a individual young couple tilt their Holocaust victims heads together; in submitted by rela- another, family mem- tives and friends. bers gathered around a The hall's cen- dinner table smile for terpiece contains the camera. two massive The display is an cones. One example of what extends about 30 Shalev, sitting in his feet into the air cream-colored office and is covered in a building about 50 with photographs yards from the new and names of museum, describes as Holocaust vic- his vision to tell the tims; the other, larger story through plunging deep The Hall of Names at Yad personal details. into the ground, Vashem's New Holocaust "We want to give was excavated History Museum back the faces," he from underground said of the decision to rock. At its base is focus on the visual, a pool of water. including paintings by Holocaust The higher cone was meant to give victims. Whereas in the older muse- light to those victims with names um the subjects of photographs were and photographs, to testify that they meant to symbolize the greater were once here, Safdie said. The event, he said, here they are meant lower cone is a symmetrical shape also to "look into your eyes," to for "the memory of those whose make the visitor think. names we will never know." An effort was made to put names The museum's focus then is ulti- to faces and to artifacts whenever it mately pulled toward its end — a was possible. One of the exhibits balcony cantilevered over the edge of shows a typical 1930s German the mountainside, providing a Jewish living room, re-created from panoramic view of the pine forest the actual belongings of various fam- below and the stone buildings of ilies, including a heavy wooden desk, nearby Jerusalem neighborhoods. books and a Kiddush cup. A visitor breathes in the crisp Much of it, including a glass chan- Jerusalem air, hears the singing of delier, was donated by the family of birds and can take in the last pinky Herman Zondek, a prominent smudges of daylight. Jewish doctor who once served as "One of the unique things about personal physician to top German Yad Vashem that sets it apart from government officials. other Holocaust museums is that Excerpts from poems and diaries you emerge to views of Jerusalem line the exhibit's walls. and forest," Safdie said. "The forest Words from a poem by Abramek and the renewal it represents is a Koplowitz, a 14-year-old in the statement that light prevails in spite Lodz Ghetto who was later killed in of it all." El Auschwitz, read, "When I grow up