Spiritual Connections Rick Recht shares his love of Jewish music in all-age family show at Congregation Shaarey Zedek. Musician Rick Recht is probably best known for "The Hope,'' written as a personal anthem far Israel. 0 0 E O SUZANNE CHESSLER Special to the Jewish News S finger-songwriter Rick Recht uses one test for measuring the success of his concerts. If the audience joins in loud enough to drown out his voice, then he knows he has been a hit. Recht will be giving that test Sunday evening, April 17, when he performs at Congregation Shaarey Zedek in Southfield. The family music artist will adapt selections from his CDs into inter- active numbers, delivering Jewish messages in rock, pop and folk beats. The performer is sure to spotlight "The Hope," probably his best-known piece, written as a person- al anthem for Israel. "This show will be for all ages," says Recht, 34, a guitarist whose vocals will be joined by percussion- ist Dennis Stringfield and bass guitarist Logan Detering. "By the end of the evening, members of the audience — maybe according to age — should be singing, dancing and even jumping up and down. "One of the things I love about Jewish music is that you can bring together little kids, teens, their parents and their grandparents in the same setting and create a type of musical magic that excites everyone all at once," says Recht. "I look at these community gatherings as incredible opportunities to reach out to each person and help them all open up and connect in a really positive, Jewish way." Midwestern Values Recht, whose only previous performance in Michigan was at Tamarack's Camp Maas in Ortonville, has six CDs to call upon for material in his show, which is presented with English and Hebrew lyrics. While five CDs have original and traditional religious songs, his most recent record- ing, What Feels So Right, features secular selections to express different aspects of his personality. Music began feeling right for Recht when he was 8 years old. A fan of Elvis Presley, he started taking guitar lessons and coming up with songs of his own. Although raised in St. Louis, Recht found a lot of motivation in Motown legacies, from cars to music. During summer family driving trips, to combat getting bored in the backseat, he would work on composing. Later and with a lot more excitement, he would drive a van to appear around the country. "I never played in high school bands and went to the University of Southern California to study busi- ness and communications," Recht recalls. "While I was in college, I played in a professional band, Collage, and worked in area clubs. I liked perform- ing best of what I was doing, went on to take class- es at the Music Institute of Hollywood and began touring as a solo artist in rock clubs." After completing his California schooling, Recht decided to make his base St. Louis, where he had developed a strong Jewish identity attending the city's Traditional Congregation, a Conservative syn- agogue, and participating in activities with the Reform youth group NFTY (North American Federation of Temple Youth). New Dimensions Although enjoying his travels opening for national acts — such as Three Dog Night, Supertramp and Chris Rock — he ultimately got the idea for a first album, Toy, devoted to Jewish music, and it was completed in the summer of 1999. "I had guitar students in St. Louis, and one, the director of a Conservative Jewish day camp, asked me to be a song leader," says Recht, who went to Israel to celebrate his bar mitzvah and returned to the country several times since then. "During that summer at camp, I took off from the band and quickly learned 30 Jewish songs. I loved working SPIRITUAL CONNECTIONS on page 44 4/14 2005 41