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MICHAEL FOX
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Special to the Jewish News
I
t began with Judas — and ended
with Shylock. All in all, 2004 was
not exactly a warm and fuzzy year
for Jews at the movies.
The good news? The most talked
about documentary of the year did not
feature a dysfunctional Jewish family of
accused pedophiles, like 2003's
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Mel Gibson set the tone in February
with The Passion of the Christ, a brutal
slog through the New Testament that
denigrated Jews at every turn. Judas, the
ostensible villain of the story, was a
milquetoast and a pawn in Gibson's
adaptation, compared to his portrayal of
the Jewish head priest and elders. But
the action hero-turned-director lavished
his greatest "love" on Jesus, reveling in
an excruciatingly prolonged whipping
scene leading up to a fetishized crucifix-
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Mixed Bag
A look back at 2004's "Jewish" films and a peek at 2005.
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ion.
By the end of Passion, Mel turned the
"King of the Jews" into a tortured rag
doll. In comparison, the moneylender
Shylock's demand for a mere pound of
Antonio's flesh seems almost gentleman-
ly.
Michael Radford's splendid adaptation
of William Shakespeare's The Merchant of
Venice, which opens Jan. 14 in Detroit,
establishes a climate of Venetian anti-
Semitism from the outset — complete
with a Jewish ghetto that provides a
powerful context for Shylock's mad
desire for vengeance.
Such a sympathetic historical view
notwithstanding, it's still tough to make
a case for Shylock (played by Al Pacino)
as a Jewish role model.
Though one could hardly consider
them persecuted, a trio of unpopular
Jewish movie moguls paraded their egos
off screen in business journals and court-
rooms this year.
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"The Passion of the Christ"• Mel
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into a "tortured rag dolt"
South African actor Siyabonga Melongisi
Shibe, right, in 7ames7ourney to Jerusalem"
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,0 05
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Flooring
Warehouse
We set the floor on prices.
Natalie Portman and Zach Braff in date fave "Garden
State"
Disney honcho Michael
Eisner thumb-wrestled
with Miramax founder
tiarvey Weinstein over the
future of their related com-
panies, while a suit
brought by Disney share-
holders exposed Eisner and
his extravagantly compen-
sated former employee
Mike Ovitz to further
scrutiny and embarrass-
ment.
Woody Allen took some
jabs at these modern- day