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March 12, 2004 - Image 49

Resource type:
Text
Publication:
The Detroit Jewish News, 2004-03-12

Disclaimer: Computer generated plain text may have errors. Read more about this.

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2004 Traditional
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7 LAYER CAKE

LEMON ROLL

Janis Siegel's new
Broadway album will be
released next month on the
Telarc label.

Patitucci, drummer Antonio
Sanchez, guitarist Romero Lubambo
and vibraphonist Stefon Harris.
Siegel learned about collaboration
in the music business at an early age.
She sang with a pop trio, the Young
Generation, when she was 12. The
group had released two singles, "The
Hideaway" and "It's Not Gonna Take
Too Long," by the time the three
graduated from high school.
"When Motown became popular, I
fell head over heels for it as well as
for people like Aretha Franklin," she
says. "I also went insane over the
Beatles, but I loved Barbra Streisand,
too."
Siegel's trio shifted from pop to
acoustic folk and renamed themselves
Laurel Canyon. Her focus on music
intensified while she was studying
nursing, and she left school to pursue
a full-time performance career.
The vocalist helped'form the versa-
tile Manhattan Transfer after meeting
Hauser at a party. She got to know
Alan Paul and early member Laurel
Masse through Hauser.
The group's self-titled album
debuted in 1975, and the members
have worked together since, making
eclectic combinations that include a
new CD to be released in September.
It ranges from numbers by Rufus
Wainwright to a Broadway tune by
Gershwin.
Siegel has sung lead on some of the
Transfer's biggest hits, including
"Operator," "Chanson D'Amour"
and The Boy from N.Y.C."
"Transfer is four-part harmony,
and being in it is like being married
times four," says Siegel, divorced
with a 10-year-old son. "A lot of our
staying together really involves doing
one's best for the good of the group.
Siegel, who considers herself Jewish
but doesn't consider religion a big

part of her life, has appeared many
times in the Detroit area.
"I have a dear friend, Steve
Zeegree, at Western Michigan
University in Kalamazoo," says
Siegel, who will travel with Transfer
to that city for a March 20 perform-
ance at Miller Auditorium. "He's
director of Gold Company, one of
the finest jazz vocal groups in the
country, and I've sung with the
group a lot. I work at the Firefly in
Ann Arbor and also enjoy that city."
The vocalist's diverse collabora-
tions have paired her with singer
Bobby McFerrin, Japanese
singer/pianist Akiko Yano and an all-
star ensemble introducing new works
by Cy Coleman and Alan and
Marilyn Bergman-.
Siegel, thinking ahead to her
Broadway Sketches tour, said she would
do more volunteering for organizations
that fight AIDS if she spent more time
in New York. The singer has made one
recording with other singers to benefit
AIDS causes, an important commit-
ment as she thinks about her friends
with the disease.
"I love the arrangements and tex-
tures Gil Goldstein created to go
with the music on Broadway
Sketches," Siegel says. "Lyrically, I
relate to all the tunes, from 'Show
Me,' an upbeat song in Lerner and
Loewe's My Fair Lady; to 'Sorry/
Grateful,' a sophisticated, complex
song about marriage in Stephen
Sondheim's Company." El

Manhattan Transfer performs 8
p.m. Friday, March 19, at the
Macomb Center for the
Performing Arts in Clinton
Township. $39-$45.
(800) 585-3737.







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2004

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