6 Homemade Soups & Salads as I wanted;" recalls Gilman, who became a Midwesterner in the early 1990s. "It was about six years after I got out of Iowa before I had a pro- duction in Chicago, and that was a Coney Specials The Glory of Living. "I came to Chicago from Iowa City because I had a job in the stan- dardized testing industry. I also had an agenda because I knew Chicago was a really great theater town, where it's a lot easier than New York A scene from the Theatre Company's "The to get things done financially. I got involved with Chicago Dramatists, a Glory of Living" playwrights organization, and through them, I started meeting critical to the play," Orbach says. "The directors." plot seems so innocent at the begin- As public interest and opportuni- ning, but it carries a lot of baggage ties grew, Gilman could fulfill her while probing ideas of what is roman- dream of working full tic and what can time as a writer. Her become the aura of other plays include romance." Spinning into Butter, an Gilman, who likes to exploration of racial travel and camp in problems - on a college Michigan, accepts writ- campus, and The Crime ing commissions in of the Century, a portrait addition to moving of the eight nurses killed ahead with her own by Richard Speck. initiatives. As far as she "Boy Gets Girl is about knows, JET is the first the ways in which Jewish theater compa- women often are objecti- ny that has presented fied in our society and her work. the effects that can have Although her dad is on their sense of them- Jewish, Gilman was selves," the playwright raised as an Rebecca Gilman: "I explains. "My plays have think all writers can take Episcopalian. some relationship to my "I actually wrote an the seed of something experience on some level, early play about my that's happened to them and I think all writers can and grow a larger situa- father and his family, take the seed of some- but that has never been tion out of that." thing that's happened to produced," says them and grow a larger Gilman, married to situation out of that. novelist Charles Harmon. "I'm cur- "I've never been a victim of a stalker, rently working on an adaptation of thankfully, but I know what it's like to The Heart Is a Lonely Hunter, the have been made to feel like I'm noth- Carson McCullers novel. ing while another person is trying to "The book feels very pertinent. It's objectify me. Any woman who gets a set during the Depression and the rise catcall on the street knows what that of fascism in Europe. Through this feels like." story, I've been able to address some of As Evelyn Orbach works out the the things I've been thinking about direction of the JET drama, she is regarding our current economy, which confident every character will be seems to be increasingly for the rich remembered. and against the poor." "These people are all definitive and • Daily Lunch & Dinner Specials • Homemade Sandwiches e Greek Specialties • Omelettes ❑ The Theatre Company's production of The Glory of Living runs through Feb. Outer Drive, Detroit. 22 at the McAuley OnStage Theatre, 8200 W. Performances are at 8 p.m. Thursdays-Saturdays and 2 p.m. Sundays. $12/$10 seniors and students. (313) 993-6461. JET's production of Boy Gets Girl runs Feb..18-March 21 at the Jewish Community Center in West Bloomfield. Curtain times are 7:30 p.m. Wednesdays, Thursdays and Sundays; 8 p.m. Saturdays; 2 p.m. Sundays; 12:30 p.m. Wednesday, March 3; and 2 p.m. Wednesday, March 10. $22- , $ ,,32. 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