eirlr'Sr A. PRIX a. NIL F I X E MENU 5 DINNERS FOR 15 *ea. (includes soup or salad) NORTH ATLANTIC SALMON Pan Seared with Bernaise, Mashed Potatoes and Curry Roasted Vegetables vocalists in the Sephardic vein, Consuelo Luz could hardly differ more from Yannatou. Luz's voice is smoky and sultry, closer to Sade, Anita- Baker or her fellow Cuban, Celia Cruz. Luz was born in Chile, „ ucaya where she was raised Catholic, only MUSIC FROM to diScover and embrace her Jewish . :THE JEWISH PEOPLE . heritage later in life. OF UGANDA Moving to Cuba, she imbibed her adopted home's tropicality, and it glows through her recent release, Dezeo (Long Distance). "Dezeo" is Ladino for "desire," and the album explores both romantic and spiritual yearning, dedi- cating about half the tracks to each The repertoire is rooted in local kind of longing. Ugandan music and infused with Luz's vocals are breathy, earthy and choral singing, Afro-pop and tradition- altogether sophisticated. The music itself al drumming. is stunningly played, evoking both tricky These tracks are a breath of tropical Latin rhythms and insinuating Arabic air. "We Are Happy," one highlight, is overtones, ending up somewhere near a Purim song, and like the others, is the Portuguese fado style. done in a light reggae style, more like Sharing Cuba with Luz is percus- Jimmy Cliff or Ziggy Marley than sionist Roberto Juan Rodriguez, whose Peter Tosh or Bob Marley. The album latest release is called El Danzon de is an assured follow-up to their debut, Moises (Tzadik Records). Shalom Everybody Everywhere!. Tzadik, founded by sax guru John To learn more about the Abayudaya Zorn, is famed for the ferocious inno- and their uplifting music, visit vation of its artists, and Rodriguez vvvvw.kulanu.org. earns his membership here. The CD is For those wishing to play Sephardic recklessly inventive, restlessly intelli- music, Judy Frankel has recently creat- gent and relentlessly fun. ed a songbook with an accompanying Fans of the Buena Vista Social Club CD. Frankel's career dates back to the will enjoy this Jewish spin on Cuban rediscovery of ethnic folk music that style. The first number, "El Polaco," emerged from 1960s coffeehouses, and gives away its inspiration in its name she is still actively touring and record- — it's a Latinized polka. Other songs ing. She has a Harvard degree in reveal Greek and Arabic sources. medieval music, but learned many If you are taking a Latin dance songs from descendants of Inquisition- class, impress the heck out of your fleeing Jews living in Portugal and the teacher and slip this CD in the play- Southwestern United States. er. And if you can't dance, take it Frankel also sings in 20 languages, along on your next long drive, and but this volume, Sephardic Songs in smile the whole way there. Judeo-Spanish (Global Village), focuses While not strictly Sephardic, the on Ladino. On the CD packaged with music of Uganda's Jews reminds us of the book, Frankel presents the songs in the other element of Caribbean music her clear, straightforward alto, joined — the sounds of Africa. The by her own guitar, plus the occasional Abayudaya, as Uganda's Jews are called, oud or durnbek. She carefully enunci- date back to the bush community's ates both the words and notes - of 17 of conversion to Judaism in the late the songbook's 50 selections for the 1910s, but only recently have they had learner, but the CD stands alone as a access to modern recording equipment. very listenable work. Their music is much like that found Jews of Sephardic heritage have cre- on Paul Simon's Graceland, in both its ated a world's worth of mind-opening sprightly guitar picking and its haunt- melodies and heart-stopping rhythms. ing choirs. They sing a bit in English, They have integrated the music of but mostly. in Hebrew and L'Uganda, dozens of peoples into their own, and their native tongue. so have enriched the Jewish experience Their CD Music from the Jewish beyond measure. People of Uganda (Smithsonian Those familiar only with the Western Folkways Recordings) presen'ts a collec- trends of folk, klezmer and cantonal tion of African-Jewish music in which music are truly missing half the story of the rhythms and harmonies of Africa Jewish music. The good news is, the rest blend with Jewish celebration and tra- is now an open book. ri ditional Hebrew prayer. 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