Don't Miss Our 2nd Annual Jewish News' Nosh Dining & Entertainment Guide Advertising in the Entertainment Guide Off The Wall enables you to receive a listing, . Shapiro exhibit shows an aspect of his art that many aren't aware of Nosh Dining -& including business SUZANNE CHESSLER name of restau- Special to the Jewish News rant, address, o sculptural vorks by Joel Shapiro stand outside the Ferndale gallery exhibiting a retrospective of his var- ied-media history. The large aluminum designs, completed in 2000 and typical of his dominant approach, are to beckon viewers inside, where less- er-known aspects of his artistry can be seen. litv phone, web site address and a one paragraph description (written by advertiser, up to 40 words), in our glossy- Joel Shapiro: Off the Wall 1976-2003, shown covered, pull out & save section Call for more information! =TINT JBWISZ MEWS 29200 Northwestern Hwy., Suite 110 Southfield, MI 48034 Phone: 248.354.6060 • Fax: 248.304.0032 www.detroitjewishnews.com 41 4 011 , ,E:4 ": Se 40/0 7 0.11. 40 4444 4 460 :40/ 04 471? Available et sso After 4:00 pm 4 ; 14. ee, S. Oh BBQ Beef Ribs ei EMT - TEN ri) S 13 95 Our restaurant is available for private parties, mornings & afternoons on Saturdays & Sundays Newly renovated private banquet facility Featuring Sweet Baby Ray's BBQ Sauce Slow Roasted Beef Ribs Chargrilled and basted with Sweet Baby Ray's BBQ Sauce Served with choice of one side dish, soup or salad 0,112 -Writ/fp ••.. Barbecue sauce 1444 6066 W. Maple Rd. • W. Bloomfield • 248-851-0805 11/21 Open 7 Days A Week 2Qcp 82 • 774890 through Jan. 24 at. the Susanne Hilberry Gallery, offers gouaches as well as wood and wire Joel Shapiro, formed into reliefs and suspensions from the ceiling. A wood and wire installa- tion, completed at the gallery to be site-specific, fills one section of the building. "There's very little bronze casting in the show," explains Shapiro, 62, whose current Michigan exhibit is the largest he has brought to the state. "it represents a certain tangent of my work that a lot of people are not aware of, and most deals with the relationship of the form to the wall — how it sits on the wall and where it's located on the wall in rela- tionship to the architecture. "The show becomes a discourse among work struggling against gravi- ty. Even though the gouaches are only drawings, they deal with color pulling away from the page the way that sculpture pulls away from [what might be holding it]. These pieces are less bound up, and they have a . lot to do with disintegration of known form. There's a lack of pre- dictability in the way the work is organized." Shapiro, known for abstract sculp- ture that often suggests body move- ment, adds color to infuse emotion. His approach derives from the Minimalism prevalent in the 1960s and 1970s, when he began working on his master's degree in art at New York • Untitled, in wood and wire, 2003 University and went on to exhibit. The artist's creative path has since taken him through more than 125 solo showings in galleries, museums and public gardens in and out of the United States. Holocaust Memorial Sculpture The Metropolitan Museum of Art in New York City recently showed a selection of his large aluminum fig- ure forms in Joel Shapiro on the Roof placing the contemporary statuary in the high-up, open-air space that offers views of Central Park and the Manhattan skyline. The United States Holocaust Memorial Museum in Washington, D.C., keeps a two-element sculpture, "Loss and Regeneration," along an outdoor plaza. A tipped, house-like structure and a figure form come together to depict the disintegration of security in the Nazi presence and the hope of future renewal. "The Holocaust museum project was the result of a competition with a group of people making the choice, Shapiro-says. "The charge of the corn- petition, at least as I understood it, was to make the most humane, .emo- tionally resonant work I could at the time. It was the depth of the