4 11111■ 11.11.111!1•111-- Arts Life s- Taking Cues From Kafka RISTORANTE ITALIANO Sculptor Rona Pondick melds human, beast and steel at Cranbrook, in the first major survey exhibition of her work. -- ,001PIN~1"1"4. SUZANNE CHESSLER Special to the Jewish News I gen& and agtornea a 4 (i dthy - "5-Course Meal" Chicken Dishes... $14.95 Provini Veal Dishes... $16.95 Pasta Dishes Starting at...$9.95 Seafood Dishes... $15.95 All Meals include Bread Basket, Soup, Salad, Side of Pasta ***rated 3 out of 4 stars Service 8 style that feel upscale without being trite 8 overdone, prices that won't wreck your wallet" "The Detroit Free Press" A great choice when yu want to impress your date with your good taste but not mortgage your condo to pay the bill" "The Detroit News" `Good Italian fare 8 a warm ambiance, moderate for a white tablecloth restaurant" "The Jewish News" 30005 Orchard Lake Road South of 14 Mile Farmington Hills 248.932.9999 Hours: Mon.-Sat. 11-11, 9/26 Sun, Noon-11 2003 L20 Also: NORTHVILLE • 248-735-0101 • CLINTON TOWNSHIP • 586-5353 • SHELBY TOWNSHIP • 586-731-6161 S ona Pondick literally has placed herself into e hybrid sculptures she is showing through Nov. 30 at the Cranbrook Art Museum. In the mix of human, animal and plant structures — coming together in specific works — are representations of her own body parts. "Rona Pondick: Sculpture 1992-2003" includes 15 projects with two room-size installations and an outdoor installation on the museum grounds. Her surreal approach comes across in each piece, including Dog, which uses stainless steel and combines a man's head and arms with a dog's body, and Monkeys, which uses stainless steel and intertwines human arms with animal visages. ta.A* Pondick's exhibit will be shown at the same time as the exhibition Rona Pondick: "Dog" 1998-2001, yellow stainless steel. The sculpture combines a man's "Transfigurations: The Body in 20th Century Art," which is corn- head and arms with a dog's body. prised of key works from Cranbrook's permanent collection unconventional media to heighten an and regional private collections to awareness of the body's materiality and demonstrate translations and transfor- vulnerability. mations of the human subject. The exhibit chronicles the artist's use "I've been doing body fragments for of raw materials, such as wax, fabric, dirt more than 15 years and started using and found objects. It moves on to her my own body parts five years ago," interest in stainless steel and silicone to explains Pondick, 51, whose approach explore the new frontier of genetics. relates to Kafka as her cultural hero. "Each work defines itself as a piece of "While working on Ear, I made a model art in a historical frame and in my own from my own ear. I took a life cast from time," the artist explains about merging my head, scanned that into the comput- the past with the present. "I've been er and formed a mold." attracted to sculpture because I am The Cranbrook exhibit will be three-dimensionally oriented and strong- Pondick's first major showing in ly relate to the sense of touch." Michigan. Pondick, born in Brooklyn, has been Joe Houston, who organized the fascinated by art since she was 5 years exhibit, planned it to display the broad old. spectrum of the artist's investigations "It's the way I played," she says. "I into the psychology of the human form drew as a teenager and always wanted to to evoke primal human urges, appetites go to the Metropolitan Museum of Art. and desires. At a very early age, I found myself con- He also wanted to explore her use of nected." Cou rtesy of the So nnab eud Gall CZoloul to wit