charming book on Pewabic's history, writ-- ten by Marcy Heller Fisher of Bloomfield Hills and illustrated by Marjorie Hecht Simon of Huntington Woods, takes us through the life of a young girl named Angie. Designed for both children and adult readers, Fired Magic (Wayne State University Press; $21.95 cloth/$14.95 paper) begins with Pewabic Pottery's inception and ends with a fictitious class tour of greater Detroit landmarks that include Pewabic installations. Utilizing Hecht's beautifill watercolor illustrations, the book offers an in-depth explanation not only of Pewabic but the process of making handmade tile. Fisher does a deft job of weaving together a myriad of detail— from. the building that houses Pewabic to its use of his- toric designs in tiles to RED visiting the pottery's gift MAGI shop. She also notes A Toit of Vetrofl'.., Pewabic's wide scope of Pow activities and communi- rat: ty involvement. It's a pleasure reading about many, beloved Detroit landmarks that house Pewabic designs, from Cranbrook to the Detroit Zoo, and those about to be built (Angie's parents are building their new home and she's lucky enough to be able to pick out Pewabic tiles for her own bathroom). The book comes out . this summer and is avail- able for advance purchase directly from Wayne State University Press, (800) WSU-RWor through www. ' ' -‘,414L - A Rochelle Lieberman in one of the Pewabic-tiled bathrooms of her 1927-built Bloomfield Hills home. Before moving into their 1927 home, Dr. Arthur and Rochelle Lieberman replaced the old, cracked tile in the vestibule with blue-and green-hued Pewabic. The Renaissance Center station incorporates clas- sic green Pewabic tiles, which also were used at the Cadillac Center station at Campus Martius in a design by Diana Pancioli. In 1987, the Michigan Chapter of the American Institute of Architects named Walt an honorary member because of her work with the Detroit People Mover, and the same year she was chosen Michiganian of the Year by the Detroit News. In 1988, she received an honorary doctorate in humane letters from Wayne State University for her contribution to arts-related projects in Detroit. "The People Mover was a great gift opportunity to the pottery as it was the first major commission of public art in our nonprofit era," says Ireland, Pewabic's executive director. Pewabic's involvement in a vigorous public project reminded people, says Ireland, "that as Mark Twain said, 'Rumors of my death have been greatly exaggerated.'" Origins And Growth Pewabic Pottery, founded by artist Mary Chase Perry and businessman Horace Caulkins, began life in 1903 on elegant Alfred Street in the "Stable Studio," a carriage house rendered useless by auto- mobiles (Pewabic, thought to be a Native American word, was the name of a mine near Hancock, Mich., Perry's birthplace). Four years after the pottery's founding, it was moved to 10125 East Jefferson, a Tudor Revival building designed by William Buck Stratton, where it remains (Perry eventually married the architect; in 1991 the building was designated a National Historic Landmark). After her business partner's death a few years after relocating, Stratton continued to run the business, alone. When she died in 1961, she left the pottery to her old business partner's family. Stratton's devoted secretary ran it for five years; then the Caulkins family donated Pewabic to Michigan State University, which provided a safe haven for the struggling facility. . In 1979, community members, recalling Pewabic's heyday, helped turned Pewabic Pottery into a nonprofit organization; Pewabic's public era had begun. Jump-started by the People Mover project, Pewabic Pottery today is financially sound and experiencing a resurgence. About half of the orga- nization's $1.8 million budget comes from the sale of its studio-created pottery, according to Ireland. About 100 projects a year are commissioned, or custom-made. Numerous members of the Jewish community have been active in the Pewabic Society, taking ceramics classes, sitting on the board and serving as trustees. • Former Jewish board members include Irene Walt, Suzanne Hilberry and Ruth Ratner; current trustees include Edith Briskin and Deborah Goldman (whose respective spouses, Barry and Dr. Sidney, are equally involved). "I went to Kingswood and enjoyed Pewabic's beauty all around me [on the Cranbrook campus], although I didn't know its name," recalls Edith Briskin. "I took ceramics all through high school. When I learned Pewabic was a historic pottery, I wanted to keep that spark — what Mary Stratton accomplished — alive." Pewabic also brings its talent and technique to community projects, collaborating with the Skillman Foundation to bring ceramic art to chil- dren in Detroit Public Schools. Also, "Pewabic will collaborate with schools in designing murals, fountains or other projects with students, like they did at Detroit Country Day School and at Quarton and Pierce schools in Birmingham," notes Marcy Heller Fisher, author of a forthcoming book on the pottery (see sidebar). . Creating Judaica Pewabic has trained some of the best ceramists around, including local Jewish artists Sara Frank and Deborah Hecht. TOUSifig Mc:CY iit.%;er There's both an onsite museum and three gal- leries in the Pewabic facility, and classes are open to the public. About 50,000 visitors come through Pewabic every year. Executive Director Ireland is excited that Pewabic is expanding with a new line of Judaica. Israeli-born People Mover artist Anat Shiftan, an instructor at the College for Creative Studies whQworked at Pewabic as a production manager and then as direc- tor of education, is helping to design the line of Judaica, which will be available for Chanukah 2003. Two early Stratton images of Star of David tiles are already sold during the holidays, usually in a blue-and-white scheme. [DI Pewabic Pottery is located at 10125 East Jefferson in Detroit and is open to the public 10 a.m.-6 p.m. Mondays-Saturdays. Admission is free. The pottery offers classes and workshops and there is an onsite museum store and gift gallery. A "Student, Staff, Faculty Exhibition" runs July 25- Aug. 30. There will be an opening reception 6-8 p.m. Friday, July 25. (313) 822-0954. \ :\‘‘ \ft\ , „ \ \\ \ `..UU\ \ \\\ `: N 7/ 4 2003 53