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Great Lakes Chamber Music Festival

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SUBSCRIPTION CONCERTS

SATURDAY,

JUNE 14, 8 RNI.
Seligman Performing Arts Center
Pelfortners: Emerson String Quartet,
Janzes Toceo

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Elaine Lebenborn: Sonata to Piano
Dmitri Shostakovich: Quintet far Piano
and String Quartet
Ludwig Van Beethoven: String Quartet
Op. 130 with Grosse Fuge

TUESDAY AND WEDNESDAY, JUNE

17-18, 8 P.m.
St. Hugo's Chapel
Perforiners: James Tocco, Sandra Rivers, Philip
Setzey; Lawrence Dutton, Andres Diaz

Franz Schubert:> Sonata in A Minor
for Violin and Piano

L
• udw i g Van Beethoven: String Trio C Minor.
9, No: 3
0.440.j:1044sv/arr.,.1:4yeh Prelude to the

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ms Sarzala in

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24-25, 8 RM.
Beth El Chapel
Performers:: Ida Kavafian, Andres Diaz, Bryan
Kennedy Mary Henderson Stucky, James Theca,
Elements Quartet

TUESDAY AND WEDNESDAY, JUNE

Franz Schubert: Au f don Strom
Various: Snapshots (String
David Baker: Roots II
W. A. Mozart: String Quintet in Eb Majoi K 614

.

THURSDAY AND FRII)

54.2;11,uge's Chapel

oriners: Ruth Laredo, Sandra Rivers, Mary
Henderson Stucky ' Yehuda Hanani, Sbrnuel
Ashkenasi, Aviv String Quartet

Sergei Prokofiev: Cello Sonata in C Op. 11
David Baker: Through this Vale of Trars
Robert Schumann: Trio for Violin, Cello,
Op, 63
and Piano in D

26200 W. 12 Mile Rd.
Southfield
248-353-3232

Johannes Bralinas: Sonata in A Itlajor for Violin
and Piano, Op. 100
David Del Tredici: Wondrous The Merge (world
premiere), for baritone and string quartet
Tchaikovsky: 1;•io in A Minor for Violin, Cello
and Piano, Op. 50

21, 8 RM.,
Performing Arts Center
ers: Ruth Laredo, Shniuel Ashkenasi, Ida
arl an, Aiatrs Diaz, Chris Ii'ak-a-s, Elements,
Quartet
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FRIDAY, JUNE 27,

8 RM.
Kirk in the Hills Refectory
PE7fill7ntrY: James race°, Yehuda Hanani, Jung
Trio, Aviv String Quartet
Beethoven: Trio for Piano, Violin and Cello, Of
70, No. 2
Alban Derg: String Quartet, Op. 3
Somata for Cello acid Piano

BD AY, JUN E

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from page 67

Music, Hanani also presents master class-
es internationally in conjunction with his
frequent concert tours.
"I have 14 very dedicated students
[at the conservatory]," he says. Most
of these students are in master's or
doctoral programs.
"I see them on the way to concerts,
on the way back from concerts," he
adds with a laugh.

Close Encounters

Hanani, who grew up in a home sur-
rounded by music, art and literature,
is also founder and artistic director of
"Close Encounters With Music," a
concert series that combines music
with other forms of artistic expression.

"With music education being cut
almost to nothing, there are professors,
doctors, all kinds of professionals out
there who know nothing about music,"
Hanani says. "And here it is perhaps the
most profound emotion we have.
"We can't teach the way Bernstein
taught in his Young People's Concerts —
`Here is the resolution; here the domi-
nant seventh is useful' — because people
won't know what you're talking about.
"So we must relate music to other
disciplines people are familiar with,
such as literature, political events."
The series' most recent program
took place May 24 at Tanglewood, the
summer home of the Boston
Symphony. Titled "Measure for
Measure: Shakespeare in Music," the
program started with Renaissance,
Classical and Romantic-era works.