At The Movies Freedom's Songs Film soundtrack samples a half-century of South African music. ■ Fried Chicken ■ Catfish L ■ Meatloaf includes 2 Sides, Beverage & Dessert 29508 Northwestern Hwy. (hi the Sunset Strip), Southfield (248) 208-1680 This cod has WON an assorted box of Love Songs CDs! A 51 YEAR OLD WOMAN who is extremely versatile. Petite, green eyes, brown hair, loves music, theater, dining, boating and camping. Seeking a nice relationship, with a SM, 45-56. T 319246 Winner receives four CDs that include love songs by Lionel Richie, Marvin Gaye, and Diana Ross. Courtesy of UTY. Motown Records and Universal Music. To listen to this ad's voice message with your credit card, call 1-866-600-3024 call costs $1.99 per minute/18+ PEAEODY5 A Birmingham Tradition For 25 Years Two Hours Free Parking Entertainment Friday & In The Structure Saturday Nights Directly Behind Peabody's One Lunch Or One Dinner Entry 50% OFF. When You Buy A Lunch Or Dinner Of Equal Or Greater Value 1 Valid Mon.-Thurs. • With Coupon • Expires 3131103 248.644.5222 34965 Woodward ♦ Just South Of Maple Reservations taken for 8 or more 3/14 2003 88 631600 We appreciate your business! ee Hirsch's Amanda!• A Revolution in Four-Part Harmony focuses on the songs that fueled the anti- apartheid movement in South Africa, and traces the lives of these songs through meetings, rallies, guerilla camps, funerals, church services, march- es and demonstrations during the dark decades of apartheid. The film features songs recorded and per- formed by leading South AfriCan artists including Miriam Makeba, Hugh Masekela, Abdullah Ibrahim and politician- turned-activist-singer Vusi Mahlasela. Fellow South African- born musician Dave Matthews' ATO Records has produced and released the film's namesake companion soundtrack. Matthews worked with ATO's co- founder Chris Tetzeli, Director Lee Hirsch and Producer Sherry Simpson in choosing the CD's 29 tracks. "Seeing the reaction of the audiences at Sundance was really what drew us to try and commit to getting the film out there and being involved with the soundtrack," said Matthews. "I was never quite aware of the depth of music's part in the revolution until I saw this film. [Music] was real- ly a clear weapon — the strongest weapon. NOT QUITE WHITE from page 87 the real attitudes toward the country's Jews, whatever the official policy: "The fact that the Cohens and the Bernsteins were strong supporters of the National Party in their annual donations and their unquestioned vote, election after election, never seemed to count in their favor." Nadine Gordimer, who was award- ed the 1991 Nobel Prize in Literature, writes of a 13-year-old boy who is sent to South Africa in "M ■ ,, Father Leaves Home." Despite his age, the boy succeeds as "Traditionally, music was a method of communicating ideas, even before apartheid. It would fol- low that it would be an integral part in whatever was happening in that country. "It's pretty amazing when you see it in the film — you see a crowd, singing in harmony, approaching a line of guns — it's overwhelming to see that kind of strength and unity." The CD includes Masekela's "Bring Him Back Home," a central anthem in the Free Nelson Mandela move- ment; Ibrahim's soulful piano bal- lad, "Mannenburg," which soothed the people after the 1976 Soweto killings; and three tracks from Mahlasela, including his horn-like voice and soulful lyrics on "When You Come Back." Nancy Jacob's rendition of "Meadowlands" recalls the stern home where black South Africans moved after the government leveled their Sophiatown; and the Diepkloof Community Choir of Soweto con- tributes a rendition of the anthem "Nkosi Sikelel' iAfrica." "This documentary is a marvel, an extraordinary achievement," says Matthews. "Not one person should miss this film. Not one." a watchmaker in his new country and marries an English wife. But things are hardly ideal in his household: "In the quarrels betWeen - husband and wife, she saw [Jews] as ignorant and dirty," Gordimer writes. One of the more memorable stories in the collection is "This One's Gonna Killya," an excerpt from DON' Fedleis Gagman: A story about a man in a Nazi con- centration camp who escapes by his wit and courage, it could also be the story of Jews and blacks in apartheid South Africa. ❑