100%

Scanned image of the page. Keyboard directions: use + to zoom in, - to zoom out, arrow keys to pan inside the viewer.

Page Options

Share

Something wrong?

Something wrong with this page? Report problem.

Rights / Permissions

The University of Michigan Library provides access to these materials for educational and research purposes. These materials may be under copyright. If you decide to use any of these materials, you are responsible for making your own legal assessment and securing any necessary permission. If you have questions about the collection, please contact the Bentley Historical Library at bentley.ref@umich.edu

February 07, 2003 - Image 96

Resource type:
Text
Publication:
The Detroit Jewish News, 2003-02-07

Disclaimer: Computer generated plain text may have errors. Read more about this.

Arts Entertainment

At The Movies

Banquet and Party Room

from page 67
To prepare, Taylor read
numerous biographies and stud-
ied the Rihrer's body language
in Leni Riefenstahl's propaganda
film Triumph of the Will, which
he practiced in front of a mirror.
"I wanted to provide little
glimpses of what was to come
for Hitler — such as the vain
gesture he had of smoothing his
hair," said Taylor, 33.
John Cusack, as Max Rothman, took no salary
"It was like mincy-military.
for
his role:- "I thought it was an important
Hitler had all these incredibly
film
about very important things."
odd and effete gestures, the
hands on hips, for example,
which I combined with his rigid
too well when, on the set in Budapest,
body language from having been a
he glimpsed himself in a mirror and
soldier. It was like he was so self-con-
felt like he was "wearing a horror
scious that his body didn't ever
mask." At the movie's premiere in
relax."
Toronto, he worried, "It could all end
Taylor felt he'd done his job a bit
up with me being spat on."

THE FILM

Serving The Community for 39 years

Through A Jewish Lens

22812 Woodward at 9 Mile Rd., Ferndale M1
(248) 548-5005 • Fax 248-548-1310
www.cornospizza.corn

ffirs-

4°P

11-1/41-11F OFF

HALF

Monday-Friday 5-7



■ BBQ Grill on the Table
■ Best Sushi Bar in Town
■ Traditional Floor Sitting Rooms Available
Free Karaoke 9:00 p.m. with dining or drinking

Upcoming flicks with a Jewish flavor made their
appearance at this year's Sundance Film Festival.

on Drirtics
Appetizers

OFF an

10% off

our TOTAL food bill

ANY TIME

E

j

ti

1 .

Excludes Happy Hour • Not good with any other offer
expires 2/28/03

ew Seoul. Garden.

Authentic Korean & Japanese Cuisine
Phone (2481 827-1600
Catering Available ?,
Open Daily
www.newseouigarden.com

27566 Northwestern Hwy.

newseoul@hotmail.com

&ma Opegigy

of the Latest

Leo's Coney Island

in the Northwood Plaza
13 Mile & Woodward • Royal Oak , 47.

1.11T1 ES

LYNNE MASTER, M. ED

2/ 7

2003

68

Owner, Director

E~I NIC

NC ek Accediied by the North Central Assodation of Colleges and Schools

First fully accredited
Education Clinic in the
United States to receive
North Central Accreditation.

(248) 545-6677 (248) 433-3323

Bloomfield Hills
Oak Park
www.Idclinic.com

AMY KLEIN
Jewish Journal of Greater Los Angeles

111

gybe every movie wasn't
as overtly Jewish as the
yarmulke-, tsitsit- and
gun-toting hero in The
Hebrew Hammer — a "Jewsploitation"
spoof featuring Mordechai Jefferson
Carver (Adam Goldberg) as the
Orthodox hero who saves Chanukah
from the Evil Santa (Andy Dick) —
but there sure were a lot of Jewish fami-
lies, characters and themes innate in
many other films in Park City, Utah, at
the famed Sundance Film Festival last
month — films that will be seen in
theaters and on television in the
upcoming year.
Take what the New York Pods "Page
Six" called the "surprise hit" of the festi-
val, The Boys of 2nd Street Park, a nos-
talgic documentary tracing the lives of
a group of boys who played ball in a
Brighton Beach park in Brooklyn.
Boys — which was picked up by
Showtime — tells the story of a genera-
tion of Jewish boys who were born in
the 1950s, grew up in the '60s and
'70s, and tried to right themselves in
these last two decades.
"We're all Jewish," director Ron

Berger admitted after the film — which
received a standing ovation — when
asked how ethnicity played a part in
the film that scarcely acknowledges the
religion of its main characters.
At a festival known for its dark, off-
beat films, Jewish characters didn't
always look so pretty. Documentary
Grand Jury Prize winner Capturing the
Friedmans zooms in on a Great Neck,
Long Island, upper middle-class Jewish
family — some of whose members also
happen to be convicted child molesters.
Picture a soft-spoken nebbishy father
and his three balding, neurotic sons.
They're lighting the menorah, having a
Passover seder, competing with their
synagogue circle to be "the best" in
everything — and so start an after-
school computer class in their home.
Arthur, the father, and his youngest
son, Jesse, then 18, are arrested in 1987
and charged with dozens of counts of
sodomy and molestation of the neigh-
borhood Jewish boys in the class.
Did the father and son do it? The
film manipulates the information in
such a way as to leave viewers uncer-
tain.
Using the family's own home movies
— Arthur was a ham and cameraman,
and his eldest son, David, began

Back to Top

© 2024 Regents of the University of Michigan