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(2y8)932 -0800

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SPOSITA'S

RISTORANTE

'Fine Italian Dining in a
:Casual Atmosphere

J•

11/15

2002

11E NEW, HOURS
Tuesday thninursikr.

am -10pm
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am - ,11pm 4 pm - Ilpro 4 pm - 9pm

OPEN FOR LUNCH!

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SPOSITA'S
RISTORANTE

Notable Notes

Two new works by Jewish composers
are on a program planned by the
Plymouth Symphony Orchestra.

interplay express the way I think about
riveting."
Special to the Jewish News
Sandler, whose work is making its
usical tributes to urbane orchestral premiere, came up with the
idea for the piece because she feels
women — a feminist
indebted to the American women of
symbol and an actual
the 1940s who went to work in facto-
person — will resound
ries while men fought overseas.
at a concert planned by the Plymouth
"Rosie the Riveter" was the name
Symphony Orchestra. The program,
chosen by the U.S. War Department
_ "Urban Voices," joins two new works
to epitomize patriotic
with two classics.
female workers, some of
Rosie the Riveter, a 2002
whom contributed to the
world-premiere piece that
defense effort as a key part
incorporates industrial
of the B-29 "Liberator"
sounds into traditional
bomber production at
forms, celebrates the con-
Willow Run.
tributions of American
"I can do what I do
women in the World War
because they helped inspire
II defense effort. Its com-
a shift in the role of
poser is Felicia Sandler,
women," says Sandler, who
who recently earned her
learned about the music of
doctoral degree in musical
World War II because her
composition from the
Harold Far berman:
family continued to play
University of Michigan.
An
advocate for the
and sing it. "They led the
Concerto for Cathy, a
way into a realm where
2001 work commissioned use of percus sion
women had never been."
to capture the essence of a sounds as a major
voice in co n'i positions.
Sandler, who knew in
Juilliard-trained touring
high
school that she wanted
oboist, will be performed
to be a composer, earned
by the subject of the
her bachelor's degree at University of
work, Catherine Gerardi. New York-
the Pacific and her master's degree at
based conductor, percussionist and
Catholic University of America. She
teacher Harold Farberman wrote the
has written for large instrumental
piece.
ensembles, theater and dance troupes,
The concert begins 8 p.m. Saturday,
chamber groups and vocalists.
Nov. 16, at Our Lady of Good
Recent performances of her works
Counsel Church in Plymouth. At 7:15
have been presented by the Dale
p.m., there will be a talk given by the
Warland Singers Chorale Ventures
composers, the oboist and conductor
Nan. Washburn, who was familiar with Program in Minnesota, Festival of
New American Music in California
the- talents of both Sandler and
and the 11th International Congress
Farberman and planned the event.
of Women in Music in London.
An afterglow follows the perform-
"I find composing both very satisfy-
ance, which also includes Gershwin's
ing and hard," says Sandler, who is
An American in Paris and Mozart's
contemplating doing an arrangement
Symphony No. 38 (The "Prague"
of a Hebrew piece from The Song of
Symphony").
Songs as she traces her Jewish heritage
through her father's family.
Lifelong Dream
"It's thrilling when something I
heard inside myself is heard outside
"My piece is very rhythmic and
myself in concert."
splashy and has lots of metals, pipes, a
washtub and even tin cans," says
Sandler, 40, who teaches at the New
Marching To His Own Drummer
England Conservatory of Music in
Farberman, who has appeared in
Boston. "The rhythmic vitality and

SUZANNE CHESSLER

Id

12481 5384954 .

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