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Nathan Englander and Thane Rosenbaum, much the way Saul Bellow, Philip Roth and Bernard Malamud were parallel male voices of an earlier generation? JSF: It's come up that I might be the "next Philip Roth." But the things that made Philip Roth, Philip Roth and Saul Bellow, Saul Bellow are their entire careers, the changes •they made between books. Philip Roth is the next Philip Roth precisely because he can change and address new topics. I'm not protesting too much. One book is something to be proud of. But it's not a tremendous achievement. A tremendous achievement is a career, three books even, from which you can detect a meaninghd trend. . JN: One of your characters said in the book that it is getting "harder to believe in man." Is it hard for you to believe in man? JSF: I know I believe in my brothers. I don't question their goodness. And once you believe in the goodness of one, you have a sense of saying, 'Teo* are capable of goodness." I know my brothers are not unique in the world. Just because the inclination of the world is to go crazy doesn't mean there aren't plenty of exceptionally good people who are worth investing all of your faith in I try to believe in myself and be the kind of person I can believe in JN: In The Book of Antecedents, the book that contains the history of the mythic shtetl of Trachimbrod, you wrote under the entry "Jews have six senses" that the Jews' sixth sense is memory. What did you mean by this? JSF: Memory is important. I don't think Jews have a privileged relationship to memo- ry, but Jews have had to depend on memory more than any other people in the last cen- tury — and perhaps in the last millennium. Things have disappeared, whole lands, people and possessions have vanished, and so you just remember them. ❑ Jonathan Safran Foer speaks 8 p.m. Tuesday, Nov. 12, at the Jewish Community Center in West Bloomfield. er latest book, Blues in the Night (Ballantine Books; $23.95), demonstrates again why Rochelle Krich has won an impor- tant place in the pantheon of outstanding mystery writers. Starting in 1990 with Where's Mommy Now?, this award-winning Orthodox woman from Los Angeles has published 10 excellent crime novels in which her Jewish background is appropriately manifest. Five of the books feature Jessie Drake, a Los Angeles police detective who discovers her Jewish heritage as an adult and adopts an Orthodox lifestyle. Blues in the Night introduces us to a new heroine, Molly Blume, an observant Jew who works as a freelance reporter/true crime reporter. Both women are divorced, but while Jessie has ambivalent feelings for her ex-husband, Molly is happy to be rid of the man who cheated on her. As in her other books, Krich has done considerable research to pro- vide a realistic base for the story. This time — with her timely subject postpartum psychosis — a key figure in the story is a woman who claims she was suffering from the ailment when she killed her infant son. When the woman herself turns up dead, Molly has a puzzle on her hands: Was it suicide or murder? The puzzle enlarges when a second death occurs; now the web of suspicion is cast wide. Molly is indefatiga- ble in her investigation, grabbing the attention Research and of readers as she astute- realism combine ly identifies a number in Rochelle Krich of clues and suspects. mystery with a The ultimate solution new Modern to the mystery is sur- Orthodox heroine. prising and satisfying. Along the way, Molly becomes involved with a former boyfriend who is now a rabbi. The ups and downs of their re-ignited romance add spice to the story. Also contributing special interest is the portrait of Molly's wise old grandmother, Bubbie G. "I guess I'm writing about the grandmother I would have loved to know," says Krich, a daughter of Holocaust survivors who lost entire families in the war. "Bubbie G is a composite of my mother and her friends, all survivors. "She's practical. She's courageous. She's kind. She's honest. She has a sense of humor." She also is a loving member of Molly's large Orthodox family, who helps to reinforce Molly's image as a Modern Orthodox woman, much like Krich herself. "There's probably more of me in Mollie than in Jessie," admits Krich, married and the mother of six children. "We're both Orthodox Jewish, use a treadmill and share a passion for crime fiction, romantic comedies and mah-jongg." Krich combines her own religious background and her diligent research with a well-developed capacity to write incisively. The often- autobiographical nature of fiction is evident in this first-rate book that combines reliable and convincing authenticity with a fascinating story. ues the Night . . • . — Morton I. Teicher Rochelle Krich speaks 1 p.m. Monday, Nov. 11, at the Jewish Community Center -in West Bloomfield.