work, and I wrote to people whose work I thought was good and asked them to send me slides. "When the slides interested me further, I asked them to complete questionnaires to learn how they got started, what the Judaica means to them and how and what they like about the media used. Based on the answers, I did follow-up inter- views." Morton, a newspaper and magazine writer whose essays have appeared in others' books, was invited to work on this project by its late publisher, Seymour Bress. Although it was finished in 1999, the book took a while to get to the public, because Bress' sons had to take over the business after their father's death. Judaic Artisans Today is currently available through book- store orders and on the Web from Amazon.com . Two Michigan artists are represented in the coffee-table volume. Mary Etta Moore of Kalamazoo showcases papercut images that capture scenes in Jewish history, from the Bible to the Holocaust. Gerhardt Knodel, director of the Cranbrook Academy of Art in Bloomfield Hills, is represent- ed by a woven fiber installation at Congregation Shaarey Zedek/B'nai Israel and stained glass windows and woven cur- tain at Temple Shir Shalom; both congregations are in West Bloomfield. "Part of this book is the story of American Jews, although some of the artists are not Jewish," says Morton, based in Virginia. "They are fellow travelers. Knodel, for one, was asked to advise a synagogue committee what they might do ANCIENT IDEALS on page 74 Opposite page, top to bottom: Susan Garson and Tom Pakele of Boulder, Colo.: Chanukah menorah, ceramic, cast and hand built. Richard Bitterman of Chicago, 'IL: "Coach" Havdalah set, steel with brass; inside the coach is a removable container for the spices. Author Kathryn Morton supplies readers with the backgrounds and contact information for the Judaica artists featured in her book. On page 69: Chava Wolpert Richard of New York, NY: "Urim u'rumim," Torah shield, enamel with fine silver and 24k gold cloisonne wires. Inscribed with the names of the 12 tribes of Israel, the colors accord with the traditional representation of the 12 touchstones which the High Priest Aaron wore on his chest. Richard is the daughter of the late Ludwig Wolpert, whose modern designs in silver revolutionized the creation of contemporary Judaica. This page, clockwise from top left: Harvey Buchalter of Albuquerque, NM: "Tree of Life," mahogany and ebony, is reminiscent of a mobiuY strip in action. Renate Chernoff of Rockville, Md.: Mezuzah, copper foil and colored wires. This multicolored fiber work seems to come alive in an exultant dance. Marvin M Cohen of Bethesda, Md: "The Olympic Eleven," tusk, assembled with sterling silver and driftwood, inspired by the 1972 slaughter of 11 Israeli Olympic athletes. Bernard Bernstein of Bronx, N Y; Yahrtzeit lamp, sterling. "Teach us to number our days aright, that we may gain a heart of wisdom." 41`''" David iVulman of Monsey, NY: Etrog container, stained glass, design by Tsirl Waletsky. 9/27 2002 73