Mixed Media Animal Dreams with The Very Best of Stan Getz, are good examples of what made Getz an important sax voice. — 77 Michael Crowell, What do Royal Oak and Jerusalem have in com- mon this summer? Both cities are decorating their streets with life- sized urethane-epoxy animals — lions in Jerusalem, polar bears in Royal Oak. The idea of placing themed statues on city streets originated in Zurich in 1998. Hundreds of plastic cows, decorated by different artists, captured the imagination of the city for months. The project gave birth to similar dis- plays in other cities. Cleveland, the home of the Rock and Roll Hall of Fame and Museum, decorates its streets with gui- tars; Miami flaunts . its flamingos; Toronto celebrates its heritage with moose. Tel Aviv now has dolphins poised in the middle of a jump. A lion statue stands guard Bringing the,Lion in downtown Jerusalem. of Judah, Jerusalem's logo, to the city's streets was the idea of artist Aliza. Olmert, the wife of Jerusalem's mayor, Ehud Olmert. The $200,000 project, co-sponsored by Peugeot Israel, consists of 80 stately lions, individually dec- orated by professional and amateur Israeli artists. The lion that stands guard in front of the Jerusalem Theater on David Marcus Street is cov- ered with a mosaic of tiny mirrors of all sizes and shapes. A pink lion with teats establishes a female presence near the residences of Israel's president and prime minister. A large multicolored plexi- glass box at the entrance to the city hall complex holds a lion in a snow-filled landscape. The lions will line Jerusalem's streets until mid- September. After that, the statues will be sold by public auction, with the proceeds distributed to several local charities. If you are interested in bid- ding on a lion and bringing home a bit of Jerusalem, visit: www.jerusalem.mu.ni.il. In Royal Oak, 13 six-foot bears began dotting - the city's streets from 1-696 to 11 Mile Road earli- er this month. Many of the fancifully decorated beasts are sponsored by local community organi- zations, at a cost of $500 each. The Stagecrafters, a Royal Oak theater troupe, celebrates its upcoming season, which includes Gilbert and Sullivan's Pirates of Penzance, with a pirate-bear designed by Berkley artist Dan Rose. A bear designed by Southfield artist Deborah Kashdan sports a pastiche of Michigan mementos, including an authentic hockey stick in commemo- ration of the Red -Wings' Stanley Cup victories. Eventually, the polar bears will be auctioned off to benefit the Detroit Zoo. Copley News Service — Leah E Chase, JTA, and Diana Lieberman Jewish Geography While heading up north to God's country this summer, you may be hard-pressed to find the Sioux Lox or CharlevOy on your map. But maybe you're looking at the wrong map. The cities of Harbar Mitzvah Springs, Hollaland, Kalamazooza, Lake Macher and Yentalanti appear only on Mishugana, a lim- ited-edition print by Glenn Wolff A Traverse City fine artist and natural science illustrator, Wolff has drawn several maps for books and magazines. When he volunteered to create an original work of art for a syn- agogue auction several years ago, he and his wife, Carole Simon Wolff, came up with the idea of an "antique" map, and the "Official Map of the First Exploratory Expedition of the Mishugana Territory by Rabbi Ishpeming.— 1629" was born. Wolff says the map, done in pen and ink and watercolors, took about three days to complete. As planned, he donated it to Congregation Beth El in Traverse City for the auction. Founded in 1885, the temple is the oldest in continuous use in Michigan and a Michigan Historic Site. The owner of the original Mishugana agreed to have prints of the original made for this year's temple fundraiser. The resulting 500 are giclee prints (pronounced zhee-clay from the French word "to spray on") — high-resolution ink-jet reproduc- tions made from a digital scan of the original work. Printed individually with archival inks on fine art paper, the process allows for an extremely faithful rendition. The inks are guaranteed not to fade under nor- mal lighting conditions for more than 200 years, explains Wolff. Though he was raised a Christian Scientist, Wolff says his family always took an interest in other religions. His mother.. kepta mezuzah on the doorframe of their home. Last year, the local newspaper referred to Wolff as one of the area's leading Jewish artists. "We always find this sort of thing amusing," he says. "I don't know if it's related, but with dark hair and a beard, when I used to walk the dog Orrtcnu.M.Ar,,is t OF TfIENivii ANA 'FFKAFF Heading to CharlevOy? in New York (the Wolffs lived there for eight years), men would walk by and say in low voices, 'We need one more for a minyan.' — Kimberlee Roth Signed limited-edition prints of Mishugana are available by calling Carole Simon Wolff, (231) -947-2580, or online at http://www.glennwolff.com/bethelprint.html . The price is $125 plus shipping and handling. Stan's The Man Stan Getz has long been a hot seller — from his early work with Woody Herman in the 1940s through his. hits in the 1960s with the music of Antonio Carlos Jobim. Even his final recordings in duo with pianist Kenny Barron sold well. Since his death a decade ago, the Getz catalog, spanning nearly 50 years, has been a source of revenue for various labels. And no label has been more active with the Getz vault than Verve. - In celebration of Getz's 75th birthday (born Jan. 26, 1927), . 7/26 2002 70 Verve has released three compila- tions. Getz plays Jobim: The Girl From Ipanema and Getz for Lovers find Getz in a mellow mood, per- forming mostly ballads on both records, many of them Jobim's bossa nova rhythms. These discs show off the romantic side of Getz, where his rich tenor sax tone adds warmth to his improvisations in such tunes as Jobim's "Corcovado" and Rodgers and Hammerstein's "Little Girl Blue." His sound was uniquely his own, and these releases, coupled Stan Getz: All that jazz.