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July 12, 2002 - Image 79

Resource type:
Text
Publication:
The Detroit Jewish News, 2002-07-12

Disclaimer: Computer generated plain text may have errors. Read more about this.

Picon, Al Jolson and Avraham Fried.
"Our most recent acquisition was
Yemenite traditional music, sung by
Jewish communities in that country,
with a very peculiar sound," Kibrit
says.
Musician Mauro Perelmann of Rio
de Janeiro is the founder and artistic
director of Zemer, the only klezmer
music band in Rio.
"The survival of a people is due,
among other factors, to the keeping
of its culture," Perelmann says.
"Therefore, I find it great that
there exists a Brazilian Internet radio
that plays nothing but Jewish
music."
YidishMusic's current program-
ming includes music by a group
known as Aufwind, which keeps
Jewish musical culture alive in
Germany by playing traditional
songs with new arrangements.
Dzigan and Shumacher features
two Yiddish humorists who broad-
cast 30-minute programs on
Sundays, and Goldene Voices plays
recordings by senior choirs every day
but Saturday.
"It's tremendously difficult to find
Yiddish music, and it's usually from
the 1960s. Very few artists seem
interested in recording in Yiddish
today," Kibrit laments, mentioning

Israelis "Dudu" Fisher and Chava
Alberstein as exceptions.
"My grandparents' language is
dying," he says. "My hope is that
YidishMusic can create this bridge
between past and future. And I guess
we're being successful."
Kibrit comes from what he calls
"mixed" Jewish heritage —
Ashkenazi on his mother's side,
Sephardi on his father's. Raised in a
Jewish neighborhood of Sao Paulo,
he attended the city's Sholem
Aleichem school, where he learned
Yiddish, but not Hebrew.
"Beside this, my grandmother
lived with us for several years, and I
would only hear Yiddish at home,"
he says. "The smell and the emo-
tions of those times led me to create
YidishMusic for my own pleasure."
The pleasure is nostalgic for many
listeners as well.
"I was surprised to find songs I
could never imagine I would, like
the ones my grandfather and father
sang to me when I was a child," says
historian Esther Kuperman. "I
couldn't help crying then." ❑

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digitize the collection both
ital technology to preserve
to preserve it and to make
and reprint some important
copies of the books more
out-of-print Jewish books
widely available.
in English, setting up a
After the Righteous
database allowing scholars
Persons Foundation provid-
to search for any word in
ed a $500,000 grant, other
any of the 12,000 books,,
donors joined in, including
and working with the Fund
Max Palevsky, who founded
for the Translation of Jewish
Xerox and Intel.
Literature to translate
The digital library even-
important Yiddish books
tually became a $3.5 mil-
into English.
lion project, using Pitney
"We've shown how new
Aaron La nsky
Bowes Management
technology can be used to
Services and scanning more
save an endangered litera-
than 12,000 - titles, or a total of 3.2
ture and bring it back into print,"
million pages of Yiddish text.
Lansky said.
Fay Zipkowitz, a retired professor of
"Jews have long referred to them-
library science, spent several years cata-
selves as Am HaSefer, the People of the
loging the collection using Library of
Book," he added. "For Jews, books are
Congress standards, and put the catalog a portable homeland, the repository of
on the Web where anyone can access it.
our national identity."
This free access will be extremely
Lansky and his colleagues are doing
useful to the growing number of
their best to make this particular Jewish
Yiddish literature scholars, a center
homeland accessible to all. ❑
spokesperson said.
The center still is collecting books
The Steven Spielberg Digital
and expects to add thousands of titles
Yiddish Library can be accessed
to its collection over the next few years.
at www.yiddishbooks.org .
Lansky's plans include using the dig-

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7/12

2002

79

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