its & sote nment At The Movies Tale Of A Jewish Nazi Controversial writer/director comes to town to discuss his most provocative film. Among the actors in The Believer is Elizabeth Reaser, the daughter of John Reaser and Karen Davidson, wife of creenwriter and director Pistons/Palace owner and Henry Bean, writer-in-resi- industrialist Bill Davidson. dence at the University of Reaser plays Miriam, a for- Michigan for-a week in 1984, mer girlfriend of Danny, the is returning to the state to show and dis- Jewish neo-Nazi. cuss his controversial film The Believer. "Elizabeth had a wonderful Based on fact, Bean's movie about a combination of gravity, poise neo-Nazi raised in an Orthodox and seriousness of someone Jewish honie was broadcast earlier this who was both a religious per- year on Showtime and now is making a limited run in theaters. In a program son and attorney on her way up," Bean said. "She also had sponsored by Temple Beth El, The a warmth, beauty and sensu- will be screened and discussed Believer Sunday morning, June 2, at the Maple ality that could hint at what I wanted, which was a romance Art Theatre in Bloomfield Township. In "The Believer," Ryan Gosling stars as Danny, a with Danny in their past." Bean, who also wrote the screenplays neo-Nazi raised in an Orthodox Jewish home. The screenwriter's current for Internal Affairs and Desperate is The Rectifier, cinema project, Measures, provides his script, personal Angeles and New York at two theaters in about another fanatic, some- commentary and others' critiques in the book The Believer: ConfrontingJewish Self- one who can't stand all the noise in New each city. It will open in the next month or so in 10 other cities. Showtime has Heitred (Thunder's Mouth Press; $14.95), York City and tries to make changes. the right to show it again, and people Bean, who belongs to a Conservative released at the same time as the movie. can get it on VHS or DVD. I can't synagogue and keeps a kosher home, "I was always drawn to the thriller imagine that this film will ever be shown explains his evolution of religious atti- because I felt there was an emotional on [regular network] television. intensity there," says Bean, husband of tudes in the book. He discussed reac- tions to the film with the Jewish News: screenwriter Leora Barish (Desperately JN: What do you usually discuss at Seeking Susan) and the father of a son screenings? JN: What's the status of the film's dis- and a daughter. "The Believer is the HB: I try to let the audience guide the tribution now? first film I've directed, and I got to do conversation. I 'want to hear what peo- The film has opened in Los HB: it exactly my way." SUZANNE CHESSLER Special to the Jewish News S . Liev It To Schreiber "The Sum of All Fears" actor revs up to direct Jewish best-seller. MICHAEL FOX Special to the Jewish News A nyone who saw A Walk on the Moon or Jakob the Liar might deduce with some confidence that actor Liev Schreiber is a serious thinker. But you wouldn't know that he also has comedic talent. In a supporting role in the Tom Clancy thriller The Sum of All Fears, opening today in area theaters, Schreiber portrays ace CIA operative John Clark as a multilingual trickster. Playing most of his scenes opposite the numbingly bland Ben Affleck, Schreiber supplies the film's comic 4/31 2002 78 relief along with its only signs of intel- ligence. When asked if his tongue-in-cheek portrayal was inspired by Borscht Belt comics or perhaps Yiddish vaudeville, Schreiber gives out a laugh. - "I can see how you're tying this into being Jewish, but I've got to tell you it's a leap of something. Some of my experiences, certainly, have been dis- tinctly Jewish. What have they given me as tools? A lot. "It's elusive, but a sense of Jewish culture has something to do with see- ing things in the context of other things. The idea that the sixth sense is memory, that everything is contextual- ized by history and family and memo- ry, that's a very Jewish concept to me " Schreiber was born in San Francisco but only. lived there a year before his oved to-Manhattan's Lower moved East Side. He was introduced to the arts by his grandfather, a butcher who played cello and collected wood cuts. The actor graduated from the Yale School of Drama in 1992, and in the ensuing decade built a stellar body of work onstage and in independent films. His next project, however, puts him squarely behind the camera. Knocked out by Jonathan Safran Foer's acclaimed debut, Everything is Illuminated. A Novel (see a review in an upcoming issue of the Jewish News), Schreiber acquired the film rights before ple have to say and respond to that. With an audience of gentiles and assimilated Jews, people who don't know the religion, I feel that there's a transla- tion process. There are lots of things that they don't understand about the film and references that they don't get. With an all-Jewish audience, I'm often nervous about their feelings that I've either made an anti-Semitic film, which I don't think I have, or that I've aired our dirty linen in public and put us at risk. JN: What have been your impressions of the film since watching it on TV and seeing it in theaters? HB: I think it conveys the essence of what I set out to do when I made the film. I feel it is fairly successful as a depiction of the contradictions that not only the main character feels but that all people feel. I'm pleased with some of the things I wanted to do with Hollywood films but never was allowed to do, such as using. political commentary. JN: How do you feel about the criti- cisms of the film? . HB: One of the criticisms is one of the things I like best. The most common objection is that Danny never tells us why he is the way he is, and I deliber- ately didn't answer that question because I thought there is no answer. If I try to explain the mystery of the character, it's not going to be adequate. I really think of Danny as an Everyman, a universal character. The it became a best-seller and attracted interest from Hollywood players. "It's essentially the story of a mid- dle-class, vegetarian Jewish boy who goes to Ukraine to find a woman who he thinks helped his grandfather dur- ing the Holocaust," Schreiber summa- rizes. "He gets led on this incredibly funny, wonderful wild goose chase by these two Ukrainian tour guides." Schreiber is in the process of adapt- ing the screenplay, and hopes to shoot in Ukraine next year. It would mark not only his feature-directing debut but also a return to Eastern Europe, where he filmed the Holocaust-set Jakob the Liar. Although he lost distant relatives to the Nazis, Schreiber declined to visit a con- centration camp while making that film. "I've never been less interested in anything," he says forthrightly. "I find it incredibly depressing. I'm just one of those people who doesn't like to immerse myself in those things. All of