At The Movies Typecasting? In "Hollywood Ending," Woody Allen plays a neurotic filmmaker. Woody Allen and Debra Messing in "Hollywood Ending." ,' :;.",'W.NZZ,,WSZIMMSMUNNMelMMIMEPWWZMWM0==',SIWZI,:: ViReWAINMV40:4WSWOr .'''.,VBEWAVILSSZNE.6%M.VVXM70/aZANWIPAWA. MICHAEL FOX Special to the Jewish News W oody Allen has long been protective of both his work and his private life. So an interview with him is a slightly somber exercise in reading between the lines. Low-key and serious during a press day at a Manhattan hotel for his latest comedy, Hollywood Ending, Allen serves up few ripostes. But if it's shtick youwant, supporting actress Debra Messing (of Will and Grace) is happy to oblige. The Jewish comedienne plays the bimbo-actress girlfriend of Allen's character, a once-respected movie director struck with psychosomatic blind- ness on the set of his comeback film. While Allen chose distinctively Jewish actor and director Mark Rydell to play his agent, he unex- pectedly cast the square-jawed Treat Williams and George Hamilton as senior studio executives. More often than not, Jews hold these jobs in real life, but these guys sure don't look Jewish. "That's right, but nevertheless that's who they are," Allen says, hinting at the level of assimilation in Hollywood. "They look like George and they look like Treat, but they also have seders." The red-haired Messing had a cameo in Allen's Celebrity a few years ago, and figured that was to be her Woody Allen experience. So she .was elated to be offered a full-fledged role. "It was always one of my lofty dreams to some day be in a Woody Allen film," Messing confides. "Having been born in Brooklyn and being a New York Jew — so to speak" (she grew up outside of Providence, R.I.) — "and being raised on Woody Allen films, his aesthetic and his approach have been pivotal for me, and sort of defined for me what com- edy was [when I] growing up," Messing explains. After filming Hollywood Ending for four days without a word from her director, the increasingly apprehensive Messing was gratified when Allen sud- TYPECASTING on page 82 5/3 2002 80 Woody On Woody Turner Classic Movies airs documentary and slew of Allen films. liv oody Allen fans: Cancel your plans for Saturday nights in May. In addition to airing 18 of his films unin- terrupted over four nights, Turner Classic Movies features Woody Allen: A Life in Film, Richard Schickel's spare, straightforward documentary. For Allen's fans, the 90 min utes of Woody's quips and movie clips offer some insight into the every-year process of moviemaking, and thoughtfully examine the recurring themes and obsessions of a thoughtful filmmaker. Schickel, a film critic for Time magazine since 1972 who has previously made documen- taries on film legends including Alfred Hitchcock, James Cagney and Elia. Kazan, departed from his usual format for the Allen film. Rather than have a narrator to chart the course of Allen's life in film, writer/producer/director Schickel allows writer/produc- er/director Allen to do all the speaking for himself. Culled from 4 1/2 hours of Diane Keaton and Woody Allen in "Annie Hall." interviews, A Life in Film is simply Woody Allen on Woody Allen, discussing his work — not his personal life --- inter- spersed with scenes from his films that illustrate his corn- ments. (According to People, Mia Farrow asked that film clips fea- turing her be cut from the pro- gram. "She just didn't feel like doing it, so we edited her out," Schickel told the magazine.) Schickel gets Allen's thoughts both on individual films and broader topics, like his transition from "the early, funny ones" to his more serious work, and lately back again to comedies. If you're planning to watch 18 of his films, you should take this self-deprecating assessment to heart — "I have no acting range," Allen admits in one fun segment: "I play a guy who lives in New York. The two things I can play are an intellectual, because of the way I look, and a lowlife, because of the way I am." Encore! — Mike Levy Jewish Journal of Greater Los Angeles Woody Allen: A Life in Film premieres on Turner Classic Movies 8 p.m. Saturday, May 4, followed by a screening of his Academy Award-winning Annie Hall at 9:30 p.m. For a complete schedule, go to www.turnerdassicmovies.com .