1 Sidney Bolkosky, producer-editor Mary Kay Carter and media engineer Greg Taylor work on. a Holocaust survivor's oral history video. Lost Childhood Ruth Webber's Holocaust survival story appears with others on the UM-Dearborn Web site. HARRY KIRS BAUM Staff Writer II It takes about 150 hours of work to get one interview on the Web after the first rough draft of a transcript of an audio interview is written. The staff works on about 20 tran- scripts at a time, he said. Thirty more are ready to go up on the Web soon. Then they will try to add about one a month. Bolkosky said that at this pace, it will take 10 years to get all the inter- views on the Internet, but the worth will far outweigh the work. "If we don't use this towards serious educational opportunities, the popular media will take over the Holocaust," he said, "and that would be disas- trous." Spreading The Word Some 330 hours of audiotape and 60 hours of video stored in the Mardigian Library will be used for "Aspects of the Holocaust," a new class that will be offered this spring as part of the uni- versity's REACH program, designed for students who can't come regularly to the classroom. Following a syllabus, students check out video lectures, watch four inter- views and take two essay exams for credit. The course will be offered each semester. The course took 2 72 years to put together, Bolkosky said. "Six months to make 15 lectures. Then came the rough part — cutting in the proper segments of the interviews, then get- ting photographs and film." Working closely with Bolkosky on this project is Mary Kay Carter, a for- mer student and now an adjunct pro- fessor at U-M Dearborn. "To use those [interviews] in an aca- demic setting brings, on a very person- al level, the events of the Holocaust to the minds and understanding of the students in a way that I don't think any other university is able to do," she said. The fact that this project hails from Dearborn does not go unnoticed. "After all, this is Henry Ford's home," he said, referring to the automaker's virulent anti-Semitism prior to World War II.. "When a per- son checks out a tape here, I just have a wonderful feeling about it. We've had some Holocaust conferences in Ford's house, and it makes me feel really, really good." Preserving History Bolkosky had no immediate family members victims of the Holocaust, but became involved in survivor testi- mony in an indirect way. As a graduate student at Wayne State University, he became intrigued by a six-page passage in a book about Jerusalem that mentioned what European Jews were like in the 1920s. He wrote a book on German Jews between the World Wars called "A Distorted Image" for his dissertation in 1972. Fast forward to 1978, when various news talk shows called WSU for com- ments on the Holocaust "after that ter- rible Holocaust mini-series was made on television," Bolkosky said. The uni- versity press office contacted him to answer questions. Then he was asked to serve on a Jewish Community Council of Metropolitan Detroit committee for Holocaust education. This was around the same time the Holocaust Memorial Center in West Bloomfield was built. The HMC needed volun- teers to help on an oral history proj- ect. Because Bolkosky already had interviewed some 50 people for his dissertation, he volunteered. Eventually, he began interviewing survivors for the university as a way of getting their stories out to a wider NOT To BE FORGOTTEN on page 24 uth Muschkies Webber of West Bloomfield was a 5-year- old child when the Germans rolled into her hometown of Ostrowiec, Poland, in 1939. Four years and six ghettos and camps later, she was liberated from the children's ward at Auschwitz. Reunited with her mother and sister, they made a new life in the United States. Professor Sidney Bolkosky, who inter- viewed Webber in 1987 for his Voice- Vision: Holocaust Survivor Oral Histories project at the University of Michigan- Dearborn, believes Webber is the youngest concentration camp survivor in the area. She's spoken to students in area schools and has been interviewed as part of a film shown at the U.S. Holocaust Museum in Washington, D.C. Below is part of the transcript offered on http://holocaust.urnd.umich.edu/ decided not to either and, uh, we never heard of the other children. We don't know what happened to them ... 'And, uh, we had some people come to the block also all dressed up with white bands with a red cross. Prior to that visit, they were always making sure that we were nice and clean and that the beds are made clean and that, uh, we should — we were in a nice way told we should appear that we're happy. And you do what you were told." Do you remember any of the chil- dren disappearing occasionally? You said there were twins there. "Yeah, these were twins. There were children taken and brought back con- tinuously. "It was really the lowest point in my life where I felt that, what was the use of surviving? Up until then, you heard peo- ple say all the time, "Oh, we've got to live, we've got to survive, we've got tell the world what is going on that people are treated like animals, that there is all this killing going on for no reason, all this burning, all this ... we've got to live." "At that time, at that point of my life, I really felt it wasn't worth it." ❑ How many children were in your block? "I really don't know. Maybe 100 — maybe 150." Were there any adults in this block? Ruth Webber holds the famous photograph "No. The block that I was in, it of her and other children just after the was just children. After I was sepa- liberation of Auschwitz. rated from my mother." How did they separate the children? "They just walked in and they said all children step forward and we'll take them to the children's block. They'll be better fed there, they'll be taken care of, and the par- ents, the mother will have a chance to sleep so she can work better. And they took us away. And that was that ... Uh, I remember one incident, two Germans came in, I don't know if one of them was Mengele, as I mentioned to you once before, we never looked up at Mengele, he was a tall man, because we were afraid to meet his eyes. We didn't want him to see us, so we always saw the beautiful shiny boots that he was wearing and the buckle, but you kind of were afraid to look up any further. They came in and they said they needed 50 children for a transfer to go to Belgium ... " You decided not to go? "I decided not to go. In fact, a couple of other friends of mine 0 4 / 5 2002 23