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from page 63
United States and in more
than 25 countries.
Three years ago, the troupe
toured Israel, which provided
a special experience for two
Jewish dance masters, Mark
Goldweber and Adam Sklute.
Although they were not raised
with strong religious practices,
the two felt a strong reaction
being surrounded by the holy
places they saw.
Goldweber, who danced
with the company for 13
years, now directs rehearsals,
watching and taking notes. As
he prepares the dancers for
their performances, Goldweber
regards Kettentanz as technical-
ly difficult and charming, Lilac
Garden as cinematic and Rodeo
as pure Americana.
"It's fun to see the interpre-
tation of each dancer, because
every one of them brings
something new to a dance,"
says Goldweber, who has
been on Michigan stages many times.
"I feel very lucky taking care of these
masterpieces. When I was a dancer, I
only had to take care of myself. Now,
I'm looking at every detail."
Sklute, who also works as artistic
coordinator for the company, organiz-
es casting and schedules. He started
dancing with the Joffrey in 1988 and
occasionally returns to the stage.
"I do character performances, such
as the priest in Taming of the Shrew,"
he says. "When I work as ballet mas-
ter, I try to give the dancers an under-
standing of what they're trying to con-
vey in any given work."
Talking About Dance
Harriet Ross, Joffrey artistic manag-
er, will be doing the pre-performance
talks. She came to the Joffrey with
many years of experience on the New
York stage and in ballet administra-
tion. Raised in an Orthodox home,
she had to be very persistent to get her
parents to allow her to study ballet.
"I usually talk about the program
the audience is about to see and try to
demystify it," explains Ross, who also
negotiates the artists' contracts and
works on the budget.
"I want to present the historical
background of the material and show
the costumes and shoes. Sometimes we
talk about the dancers. We want to
make people comfortable watching
ballet, particularly the Joffrey Ballet."
Ross is working closely with Una
Jackman of Bloomfield Hills and her
• N'
0
Left to right, ballet
masters Mark
•
Goldweber, Cameron
Basden, Charthel Arthur
and Adam Sklute. " Ifeel
very lucky taking care
of these masterpieces, "
says Goldweber.
Dancer Michael Levine:
Expressing emotions
without words."
group, the Detroit Friends of the
Joffrey Ballet of Chicago. Members,
who joined together to help fund bal-
let performances, worked on the
Joffrey visits last year and this season.
"Our response has been so great that
we are scheduling a spring perform-
ance in 2003," says Jackman, whose
committee includes Sarah Deson Fried
and Anne Weiner, members of the
Jewish community. "The Detroit pro-
gram is being done at Lincoln Center
in New York before it comes here, and
. we're all very excited about that.
"I think of Rodeo as a very patriotic
piece, which makes it very timely, and
I hope other people interested in the
ballet will join our committee to help
with the arrangements for upcoming
performances." ❑
The Joffrey Ballet of Chicago per-
forms 8 p.m. Saturday and 2 p.m.
Sunday, March 9-10, at the Detroit
Opera House, 1526 Broadway. Pre-
performance talks begin one hour
prior to the performance. $17-$75.
(313) 237-7464.
Party tickets for the March 9
gala, hosted by Joffrey founder
Gerald Arpino, are $125 dinner
and afterglow only; $175 per-
formance (inner circle), dinner,
afterglow; $200 performance (box
seat), dinner, afterglow; $500 per-
formance (box seat), dinner, after-
glow and more. (313) 237-3425.
To join the Detroit Friends of the
Joffrey Ballet, call (248) 645-8006.