David Chevan and Warren Byrd Duo `The Laramie Project' "We are this kind of town," she says DEBRA B. DARVICK with unyielding force. "Yes, we are. We Special to the Jewish News need to own this crime." Messmer's strongest character is that of f the Jewish Ensemble Theatre Romaine Patterson, one of Shepard's were performing Oklahoma!, one friends. During the trial, might anticipate seeing Laurey Messmer/Patterson and other cast mem- and Curly perched on the fence bers surround hate-monger and homo- that runs the length of the stage. With phobe Fred Phelps and begin to sing its bales of hay and intense sky-blue "Amazing Grace." Their song rises in backdrops, Monika Essen's simple but - volume as Phelps, played with Falwell- effective set instantaneously references esque self-righteousness by John the Rodgers and Hammerstein favorite . Hawkinson, marches outside the court- But this is not Oklahoma; it's house hollering venom and waving Wyoming. And this play, JET's third "God Hates Fags" placards. offering in its campaign to "Stop Hate" - It was Patterson's idea to don enor- The Laramie Project. series, is mous angel wings and surround Phelps The riveting production, directed by and his ilk whenever they reared their Pat Ansuini, focuses not only on the bigoted heads during the trials of 1998 murder of Matthew Shepard, a Shepard's killers. college student who was kidnapped, Other memorable performances brutally beaten, tied to a fence and left include those of Andrew Parker, to die outside Laramie, Wyo., whose many roles include that but on what the murder and of a young theater student, the subsequent media atten- Jedadiah Schultz, and Shepard's tion and murder trials did to the two murderers, Russell Henderson and town and its inhabitants. Aaron McKinney. His portrayal of Shepard's attackers murdered him Schultz's transformation from a male because he was gay, and the play -- adolescent uncomfortable with the whole dream child of award-winning idea of homosexuality to one with the writer/director Moises Kaufman — por- chastened realization — "How did I let trays the reactions of many of Laramie's myself believe [homosexuality] made you best and brightest, bewildered and/or any different from me?" — is but one of bigoted in the year following the attack. the characters changed in the course of A month after the murder, Kaufman the year following Shepard's murder. andmembers of his company, the Reggie Fluty, played with verve and Tectonic Theater Project, flew to spunk by Kelly Pino, is the first police Laramie to begin interviewing the town's officer on the scene. Throwing aside the residents. thin, inadequate rubber gloves issued by From these interviews, and from jour- her cost-conscious department, Fluty nal excerpts from Tectonic members, a struggles to cut the ropes still binding production has arisen that delivers a Shepard to the fence. She tries to revive moving study of human nature, social him by giving mouth-to-mouth, only to commentary and an emotional impact learn later that he is HIV positive. that lingers long after the house lights The Laramie Project is a must see. dim. Bring your late middle-schoolers and A cast of eight actors portrays some teens. Bring their bubbies and zaydes. six-dozen characters — Laramie resi- The play will leave you with much to dents and company members alike — talk about and reflect on. ❑ all of whose real names are used. With so few actors playing so many parts, not every portrayal hits its mark. JET presents The Laramie Project Fortunately, most do. through March 24. Show times are JET newcomer Michelle Messmer 7:30 p.m. Wednesdays-Thursdays, plays Zubaida Ula, a Muslim woman 8 p.m. Saturdays and 2 and 7:30 who is hassled time and again about the p.m. Sundays. $18/$28/discounts headscarf she wears for modesty and for seniors and students. (248) spiritual connection. She challenges 788-2900. those who say Laramie is not "that kind ), of town. Sponsored by Cohn-Haddow Center for Judaic Studies Sunday, March 17 CONCERT: "AVIDIM HAYINU" I (ONCE WE WERE SLAVES) A CELEBRATION IN JAZZ OF AFRICAN-AMERICAN GOSPEL AND JEWISH LITURGICAL MUSIC 3:00 p.m., Detroit Public Library, Friends auditorium, 5201 Woodward Enter from Library Staff Parking Lot Reservations required. For tickets, please contact the Cohn- Haddow Center at aa2690@wayne.edu or (313) 577-2679 All programs are free and open to the public. 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